How To Mix And Master Audio Tracks Loud And Not Lose The Dynamics
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thanks https://www.looperman.com/tracks/detail/127146
As an advice I'd really like to say that you should keep your levels not so high in the digital world, when you are recording into pro-tools, logic, cubase whatever. Try to keep your peaks bouncing to max -8dB and you should be fine.
This will enable you to use your EQ's and compressors far more efficiently and if you are using external gear it will help you operate those at an optimal level.
Far to many sessions I receive are slammed to the ceiling claiming they recorded as hot as possible. In the 24bit world of DAW's that's not needed anymore.
Thanks Richie for reminding me about this issue.
This does also show how little I know about production also and have a lot to learn now that I'm leaving the 8tr and moving to software.
Bear
Definitely some useful tips to bare in mind for the future..
Screw paying >$500 for a plugin though!!
As far as the Chilli Peppers go I must admit I didn't know it was mixed in mono and surprisingly Jim Scott won a Grammy, if I'm not mistaking, for that album.
Anyways the info is welcomed and your page already bookmarked.
Cheers!
Glad you're finding the videos useful, thanks to Shan for including them !
@ Mahloo13, you're absolutely right, the extra stereo width of the commercial tune is another factor - I actually had something in the video about it but edited it out to keep the focus. It's another element of the "loudness potential" that I mentioned.
Which makes it even more ironic that a band like the Chile Peppers chose to mix virtually in mono for one of their loudest albums (Californication) meaning it had to be even more abused in the mastering to get the level so loud...!
Ian
niccce stuff, i've just bookmarked
the blog section now hehehehehe
Peace from LA
Rock music sounds way to loud yet it's actually not as loud as a dance track.
I do agree however that electronic music is ridiculously overcompressed nowadays.