Description : Been working on a couple new tracks, this is one of them. I picked up Addictive Drums so this should be one of the last tracks with shitty drums. Going to be using that for drums for the next few tracks.
If anyone wants to contribute vocals be my guest. I don't know where to take this vocal wise. :)
Drums: Sample
Guitars and Bass:myself
tv
This rock track was uploaded by topvega. They retain full copyright and you are only entitled to listen and in some instances download. For further details on how you can use tracks see the terms and conditions and the tracks section of the help area.
Comments (6)
If you have time take a listen and give topvega some feedback.
Nice work....Some tasty licks going on here...
Recording Guitars is tricky, because efx or compression can
cloud the overall signal and change it's dynamics, some want that
sound and some got it, don't want it and can't get rid of it....
What I do is record all my guitars No efx... Just volume that way if
it sounds good with nothing on it, when you add candy it's even better...
As well the signal response in the track, stands it's own ground and
takes it's place in the track, in a clean way...
If you know all of this, then I'm spitting into the wind so disregard...
Thanks TG. I do something similar. I am a tone whore so I usually find a tone that inspires me at the moment and record a dry signal direct from my guitar through a VST like Guitar Rig 5 or Amplitube 3. This way I preserve the original clean signal. Then I start working a riff into a whole song. I will add Bass and a lead and then tweak the levels. Then I like to switch my sound presets to other tones if anything I have doesn't sound good enough. Then once I have decided on my tones for all instruments I apply Iozone 5 to my Master and then go into each track and solo them and tweak their signal with a 5 band EQ. I then start adding the tracks together and listen for clashes and or deficiencies. I keep tweaking till I have it sounding good.
Thanks for taking the time to listen and leave a comment. I appreciate it.
Thanks Orlando, the words of support are very kind. I am still tinkering with my style and trying to refine it but I am pretty happy with it on this one. I love trippy guitar leads. :)
Thanks again.
"Thanks man, appreciate the kind words. I am stoked to start working with Addictive Drums. Will be working on something this weekend.
Thanks for all your input, it helps. It's always good to get outside input and opinions. The support is highly appreciated."
No problem. I'll look out for a new track using Addictive Drums when you post it. I expect the drums to be much better and am sure they will be. I've just very briefly had a look at a review of AD and found this criticism: "It's not possible to have more than one kick, snare or ride cymbal in a kit."
The review was from 2007 but that's a bit annoying if (still) true.
I use Superior Drummer and you can add extra kit parts, which is great for mixing up the various add-on packs you buy (I have bought many).
With Addictive, what you might need to do is load a few instances of separate kits and then have a whole load of MIDI files on each track and just keep experimenting with moving them around until you get things to flow perfectly and sound quite distinctive. You might, for instance, want to have a different snare for verse and chorus so you can then try moving the MIDI parts between the different kits you have set up.
This is especially useful for someone like me who likes to mix up the genres and sort of force one on top of another. My detailed drum programming is a big part of that. Even if you just want to do straightish rock stuff, working with a lot of fills that you mix and match and edit and fine tune can really help make it sound as though you have a killer drummer rather than just a decent one, which is what you;d get if you lazily just used the MID files included in AD without much extra editing or layering.
Don't forget to pay close attention to your velocity levels of each kit piece. You can edit them in your sequencer. Sometimes, there's quite a heavy sound that plays at the top velocuty level (127) so sometimes you need to carefully reduce this (especially for snare and kick). The velocity levels of the playing is important for giving the right feel as the timing of the playing and the choice of kit part played.
If you don't already know all this, you'll probably find it out anyway but I thought I'd just give you a heads up and some things to think about early on. Ask me if any of this advice is not clear enough and I shall clarify...
Hi TopVega,
Good song. I am not sure you need a vocal part: maybe a keyboard player who could keep your pace would be more beneficial than a singer. Just an idea...
Liked & downloaded it.
Take care, Domenico
Hey Domenico, I think I agree with you on the no vocals. It's a little busy to be sung over. Will look into adding a keyboard or two to make up for no vocals. Appreciate the support and the input.
This is good and there's a definite song in there for a songwriter to make something of.
It builds and gets better over that first minute and those twin guitars work really well. Nice mix between the rhythm riffs and the lead psychedelic stuff.
Glad to hear you're getting Addictive Drums. I haven't used it but have other, similar hypersampled. I have many times on here recommended such software to producers as lower quality loops just don't cut it and you can do so much with these hypersampled acoustic drum products. Your stuff will be way better and new grooves and fills will give you ideas for riffs and how to progress your music.
While this track is a bit samey, it's all good stuff but would benefit from those Addictive drums and the proper song over the top. Keep going because it's well worth pursuing but there's still a long way to go to make it as good as it could and should be.
Description : -JUST-IN, BREAKING, NEWSFLASH, BREAKING NEWS
renowned R&B Hip-Hop & Rapper dimestop has shocked the music industry with his latest drop, he's produced and singing vocals on a rock track with Rock Megastar Danke.
Rolling Stones magazine say a grammy in the making....hip hop insiders claim he's sold out
snoop dog was reported saying careful that motha fucka rip your heart out
Time Magazine state this is epic
Elon Musk tweeted #he's my Rocket man... more to follow as the story unfolds.
Description : This is my newest creation, at a stage very near to completion. No third-party mastering or mixing, as with all my tracks. Just have to fix a few tiny things. I FINALLY WAS ABLE TO MIX EVERYTHING IN THE SAME SESSION. This song has all human-played instruments - no quantization or MIDI! My brother does all the vocals except for the interlude part, which I do. My other brother plays the rhythm guitar (a Gibson Les Paul Custom - only one of 12 in the world!!) and I play the accompanying guitar (a Johnny Mar Jag and PRS). He has a lot of guitars :P A good friend of ours, Ronnie, plays the bass and another friend, Freddie, plays the drums. The drum track was done in one take (had to use an electric drum set due to time constraints - but acoustic kits are so much better). Overall, pretty satisfied with the result. Let me know your thoughts.
Description : Feel free to check out the lyrics video on YT as well :) This is a new track based on the great vocals by Ashes and Dreams! Again, a mix of electronic/progressive/rock, any feedback is welcome
Description : The first track I sing on. Cheap stage mic & no fancy plugins. Heavily guitar laden to the point it's got a bit of a shoegaze thing going on. I pulled the lyrics out of my ass & yes, they're a bit silly.
Description : BIG UPDATE 26/02/2014 - So, this was an 18 min track that I have now successfully split in two. 2nd half I uploaded a few weeks ago (Things That Should Always Be, with the bouncy 2 min reggae intro). This is the first half, which has a new mix, a mega chill, meditative ending and a little jazz thrown in for good measure. Takes a few minutes for beat to really kick in. Constantly evolving electric guitar, bass guitar, acoustic drums and lead banjo driven by fat, busy 80BPM grooves with a bit of a reggae and shuffle feel. Also: synth choir voices, dulcimer, violin, cello, shimmering pads. Builds up gradually to nice and rocking and then gets taken back down for the big comedown chill. I really don't know what sort of genre this is except 'far out'. I think it sounds more like a live band than one guy playing instruments and manipulating a DAW. Not my best track but a bit of blissful, sunny island fun. Real positive vibe here so I hope you give it a chance to unfold and unfurl. Sit back, clear your schedule and immerse yourself in these trippy sonic experiments cooked up deep in my off-planet underground laboratory. I have to send the MP3 to Earth via space courier (not cheap).
Description : This track was like the inhale after an exhale of aggressive industrial-electro-sludge tracks that I had put out that summer and fall. This was the more reserved, and introspective winter track. It's nothing spectacular, but I still really enjoy it. I hope you do too. Take care. V.
Description : when i was a kid you could go down and buy acid drops at the dairy - sour boiled sweets....vox, guitars and keys by me. Bass a LM loop by megapaul.
Recording Guitars is tricky, because efx or compression can
cloud the overall signal and change it's dynamics, some want that
sound and some got it, don't want it and can't get rid of it....
What I do is record all my guitars No efx... Just volume that way if
it sounds good with nothing on it, when you add candy it's even better...
As well the signal response in the track, stands it's own ground and
takes it's place in the track, in a clean way...
If you know all of this, then I'm spitting into the wind so disregard...
Nice work and well done....
Peace...TG.
Thanks for taking the time to listen and leave a comment. I appreciate it.
tv
Rock on_____Orlando
Thanks again.
tv
Thanks for all your input, it helps. It's always good to get outside input and opinions. The support is highly appreciated."
No problem. I'll look out for a new track using Addictive Drums when you post it. I expect the drums to be much better and am sure they will be. I've just very briefly had a look at a review of AD and found this criticism: "It's not possible to have more than one kick, snare or ride cymbal in a kit."
The review was from 2007 but that's a bit annoying if (still) true.
I use Superior Drummer and you can add extra kit parts, which is great for mixing up the various add-on packs you buy (I have bought many).
With Addictive, what you might need to do is load a few instances of separate kits and then have a whole load of MIDI files on each track and just keep experimenting with moving them around until you get things to flow perfectly and sound quite distinctive. You might, for instance, want to have a different snare for verse and chorus so you can then try moving the MIDI parts between the different kits you have set up.
This is especially useful for someone like me who likes to mix up the genres and sort of force one on top of another. My detailed drum programming is a big part of that. Even if you just want to do straightish rock stuff, working with a lot of fills that you mix and match and edit and fine tune can really help make it sound as though you have a killer drummer rather than just a decent one, which is what you;d get if you lazily just used the MID files included in AD without much extra editing or layering.
Don't forget to pay close attention to your velocity levels of each kit piece. You can edit them in your sequencer. Sometimes, there's quite a heavy sound that plays at the top velocuty level (127) so sometimes you need to carefully reduce this (especially for snare and kick). The velocity levels of the playing is important for giving the right feel as the timing of the playing and the choice of kit part played.
If you don't already know all this, you'll probably find it out anyway but I thought I'd just give you a heads up and some things to think about early on. Ask me if any of this advice is not clear enough and I shall clarify...
Good luck!
tv
Good song. I am not sure you need a vocal part: maybe a keyboard player who could keep your pace would be more beneficial than a singer. Just an idea...
Liked & downloaded it.
Take care, Domenico
tv
It builds and gets better over that first minute and those twin guitars work really well. Nice mix between the rhythm riffs and the lead psychedelic stuff.
Glad to hear you're getting Addictive Drums. I haven't used it but have other, similar hypersampled. I have many times on here recommended such software to producers as lower quality loops just don't cut it and you can do so much with these hypersampled acoustic drum products. Your stuff will be way better and new grooves and fills will give you ideas for riffs and how to progress your music.
While this track is a bit samey, it's all good stuff but would benefit from those Addictive drums and the proper song over the top. Keep going because it's well worth pursuing but there's still a long way to go to make it as good as it could and should be.
Thanks for all your input, it helps. It's always good to get outside input and opinions. The support is highly appreciated.
Thanks again...
tv
tv