Description : High energy Jazz feel, with thanks to my muted trumpet friend and flute player.
This jazz track was uploaded by mackit. They retain full copyright and you are only entitled to listen and in some instances download. For further details on how you can use tracks see the terms and conditions and the tracks section of the help area.
Comments (6)
If you have time take a listen and give mackit some feedback.
Cool track sitting here with guitar in hand, I fell into a groove
like it was all planed...
Funny...How ideas just blow in on the wind, stay sharp and you
can grab one that works...
Solid piece of work, to bad no DL or I'd lock it down just on GP...
Very Nicely Laid Out... Flavourful I must say in every way...
The sidewalk patterned file, just tells me that everything is
at the same level Volume wise, much of the dynamics are lost
in that way, as well as instrumental play...
Yo. This did make me smile: "Evan the smooth guitar playing MACK MAN sometimes go crazy seeking volume insted of dynamics".
The same goes for the STATIC MAN. I generally seek volume (unless it's real chill) but then have to go and pull everything down afterwards in the mix so that things don't get overloaded and become tiring for the listener. I don't do too much of mega widdling screaming lead guitar soloing rock but I'm working on an awesome track right now featuring just that.
I've made the guitar huge and intense but have to be careful mixing it so that the bass and drums and other little synth flourishes don't get lost and overwhelmed. I can't lose my backing groove otherwise the lead guitar craziness won't sound as cool.
It's just your drums that are the problem here - like you've not worked on them/it at all and just left that track sitting at the same (high) volume throughout the piece.
Good luck with your new toys. I'm guessing various new software plugins?
Your versatility is showing again Mack Man...like that steady funked beat with a bit of power and the way the bass line sets it off...super guitar stuff (I`ll learn to play that tasty jazz guitar in my next life...at present I just try not to have my fingers stumble over each other.. haha)...uplifting & very cool mix that bounces right along in head-nodding fashion...and thats something we could all use more of...the hard limiting pushes the volume on this one up but I think the pumping & power work o.k.with the instrumentation & overall vibe....enjoyed this one...great job...Ed
ED, first let me say you are one of the best all around guitar players on the Loop.You play with a lot of discpline, and that makes for some well thought out compositions. Thanks for stopping by and the humble comments. PEACE. THE MACK MAN OUT.
Yo. I've just written my reply to you about my most recent uploaded track and whether it's too loud and not mastered well enough.
I have to say that my honest opinion about this one relates exactly to that topic: this does sound too loud and bright -especially those drums. The metallic highs are a bit too intrusive.
Something different from you here. None of your intricate jazz guitar (unless it's very subtle). Ah no - 2:47 and here's your guitar. Had to come in eventually.
I guess this is kind of acid jazz.
Is that main lead the trumpet? Sounds a bit more like a violin. I'm confused.
Lots of nice funky touches in this one and you can dance to it.
2:27-2:29 bass fill particularly cool and we get to hear a different tone as it goes high.
I think my main complaint is the monotony of the drums. They make it feel quite long and at that same level, it sort of gets a bit tiring. I'd like more drum variation - in what is being played and also level. Break it down a bit and build it back up. Could do with some programmed kits rather than just that loop.
All the playing's great but I feel the track can be much better with more variation in intensity, really just through changing those drums.
Feel free to disagree - that's just how I hear it and I've listened a couple of times.
Static, thank you for your honesty. This track is too hot for shore. Evan the smooth guitar playing MACK MAN sometimes go crazy seeking volume insted of dynamics, like I normaly would do. It,s more than likely going to take me couple moore weeks to get use to no internet connetion problems and an upgraded system. So bare with me Static, my brain is racing with all the new toys I have with this up grade. PEACE. THE MACK MAN OUT.
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Description : Do not freak out just because this is jazz! There's also blues, rock, funk and a little hip hop in it to break up the deep, chillout jazz sections - gets particularly rocking then funky at the end. Main bassline (the track's foundation) is recycled leftover slide resonator guitar parts detuned one octave to make a slide bass sound. Also features: piano, violin, hammered dulcimer, organ, ethereal pad guitar, bass guitar, jazz/blues/rock electric guitar and multiple programmed acoustic drumkits. This was difficult to make at times as I thought I needed more leads parts eg from sax or trumpet. But I'm happyish with the end result. I expect very little interest in this as it's both jazz and long jazz. But it's also an unusual type of genre-mixing jazz. So, leave your thoughts, good or bad, if you like...
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Love and peace.
Description : This track made me just stop working on it and listen to it for enjoyment.
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Description : This track contains only free loops from Stayonbeat.com and several loops from Looperman artists (listed below). I "made a promise" that my next track will be use a lot of jazzy loops - well, i done with this track, for the great sadness of jazz lovers or experts i think - i fear they will never forgive me. :) While my ISP launches my internet out of the Earth system for a long time, i had to face the fact that i dont have too much downloaded jazz loops on my computer, so i think no wonder that this one is sounds like if i smoke some marihuana while making it. But hey, who cares, i like the result - it reminds me the (maybe only) really funny episode of "Breaking Bad", where Pinkman uses some heroin and flyes up with an idiotic smile on his face - that chapter is priceless. :D
I dont think this one needs a vocal, but ofcourse you can use it if you want, and as always, just write and i will give any support as i can. Any feedback welcomed too as always. Enjoy! UPDATE 2015.10.24.: improved audio quality - lower lows, higher highs. Now in 256kbps!
Applied loops :
STEVEJAZ : 1118799-0068664 (The Jazz Vehicle), 1118799-0068713 (A Lydian Chords 1),
TUMBLEWEED : 0498019-0068255 (G Sharp Acoustic Rhythm), 0498014-0068257 (120 A Tele Rhythm),
JOEFUNKTASTIC : 0630386-0055418 (MrF - Great Scott - Set 1 - Piano 120 A), 06300386-0054520 (MrF - South Bronx Ghetto Piano 92C),
DANKE : 0671112-0066558 (Heaven Calls), 0671112-0067503 (Reggae Sax),
REI4REAL : 0039029-0005229 (Rei Smile03 D 120), 0039029 (Rei - Plain3 D 100),
SERIALCHILLER : 0000003-00000076 (Chilla Do Do Vox Fx),
DJFREDVAL: 0002663-0007540 (FV 120 BackBeat2)
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Description : Something a bit different from us. I (Bobo) played guitar, synth, midi bass and percs to this piano loop by LM's most excellent Rasputin. Wataya, stoned as usual, thought he heard Barbara Streisand singing. This is the result.
like it was all planed...
Funny...How ideas just blow in on the wind, stay sharp and you
can grab one that works...
Solid piece of work, to bad no DL or I'd lock it down just on GP...
I really like it...
Peace...TG.
The sidewalk patterned file, just tells me that everything is
at the same level Volume wise, much of the dynamics are lost
in that way, as well as instrumental play...
Over all cool project...
Peace...TG.
Cheers,
Scott
The same goes for the STATIC MAN. I generally seek volume (unless it's real chill) but then have to go and pull everything down afterwards in the mix so that things don't get overloaded and become tiring for the listener. I don't do too much of mega widdling screaming lead guitar soloing rock but I'm working on an awesome track right now featuring just that.
I've made the guitar huge and intense but have to be careful mixing it so that the bass and drums and other little synth flourishes don't get lost and overwhelmed. I can't lose my backing groove otherwise the lead guitar craziness won't sound as cool.
It's just your drums that are the problem here - like you've not worked on them/it at all and just left that track sitting at the same (high) volume throughout the piece.
Good luck with your new toys. I'm guessing various new software plugins?
I shall bear with you.
THE STATIC MAN OUT.
I have to say that my honest opinion about this one relates exactly to that topic: this does sound too loud and bright -especially those drums. The metallic highs are a bit too intrusive.
Something different from you here. None of your intricate jazz guitar (unless it's very subtle). Ah no - 2:47 and here's your guitar. Had to come in eventually.
I guess this is kind of acid jazz.
Is that main lead the trumpet? Sounds a bit more like a violin. I'm confused.
Lots of nice funky touches in this one and you can dance to it.
2:27-2:29 bass fill particularly cool and we get to hear a different tone as it goes high.
I think my main complaint is the monotony of the drums. They make it feel quite long and at that same level, it sort of gets a bit tiring. I'd like more drum variation - in what is being played and also level. Break it down a bit and build it back up. Could do with some programmed kits rather than just that loop.
All the playing's great but I feel the track can be much better with more variation in intensity, really just through changing those drums.
Feel free to disagree - that's just how I hear it and I've listened a couple of times.