Description : my father -he is an old bass player-has guided me about drum and usage of short buss loops .
all credit goes to shortbusmusic about it .
i had put it in rock genre but due to comments i changed the genre t metal!
please drop yur words in my box :)
thank you much much guys :)
I like the different feel of the parts. the transitions are a little abrupt, but when I listen to it as a collage of samples it's very appealing. Especially the dark sounding guitar riff with delay and the ring-mod bell sound that has stereo delay. Good work. could be tied together with a vocal or a lead instrument imo. Hi-five to all old bass players.
-Slimm
Well it's started off well and i like the riffs so far (i'm reviewing as i listen to see if i can figure out what the others are talking about)
I think this is a good headbanging piece of metal, nice work with the drums, good choice of riffs.
Well i made it all the way to the end of the track and i actually didn't notice any riffs that don't work with each other. I thought it was a bit muddy in places but that just gives it a nice live feel.
I enjoyed listening to your track.
FR
thank you much much FR :)
this is good if you think it works .
he doesn't talk about riffs , but i don't care what the others want to show about themselves.
this is very good to have your review .
thank you much much for dropping these words.
Elena :)
Hi again. I've tried to explain as clearly as I can that, at the time references I gave, there are very clear "wrong" sounds that would be normally be described in English as "clicks" or "pops". I think everyone who works with cutting up audio parts has to deal with these unwanted sounds. These can be removed very easily in probably all modern DAWs. As I said - I do it all the time. Not removing these noises means I can hear every time that you have joined one piece of audio to another so the listening experience is not as smooth as it should be.
I'm not sure I can explain any more simply what these small sounds are so maybe you're having trouble understanding my English. As I said before, search for something like 'crossfade audio' in the Help section or manual of the software you are using. I'm not sure what your first language is but if you can translate 'crossfade audio' into your language and then read what that means, I think you'll understand what the problem is. And how simple it is to fix.
"i'll underestand if you download it and correct it"
Sorry - I don't really want to but I don't mind writing out some things to help you (or anyone else). And this 'crossfading audio' technique is easy to learn about and easy to do.
Good luck...
Oh, and I still think is a good track and I still like the riffs.
okay so what are you looking for from writing comments to me if you're not going to help ?
do you just need to show you know somethings about music?
you're so nervous and pridefull.
i don't need your comments.
Cool track and great use of loops. It's well put together and has a dark heavy metal feel to it. A bit cinematic as I could hear this in a film sequence. The drums are powerful and effective. Well done!
Hi Wayne :)
thank you much much for the words .
i don't know much about differences of metal and rock
i thought this is rock because metal is faster and wilder toward this for me .
but as i see some people like you have called this Metal.
so i'm going to change the genre and put it in metal ....
thank you much much again.
Elena :)
Hi. You didn't tell me which software you're using but it should be quite easy to crossfade two bits of audio in any audio sequencer, also called a DAW. I just use Cubase and only have to select the two pieces of audio on the timeline and then press one button. And then the problem is removed.
If you have an audio waveform and then cut it off immediately, you will get an annoying 'pop' or 'click'. In your track, that is what is happening and it means that I can hear where you have put one riff next to another. The crossfade will just make the transition between the two pieces of audio smoother. So, it will very quickly fade out the volume of the first one and then fade in the volume of the second.
As I said before, I have to do this all the time as my compositional style means I'm always cutting up little pieces of audio and moving them around the timeline.
Search for something like 'crossfade audio' in the Help section or manual of the software you are using.
You track will sound much better if I can no longer hear the edit between the different riffs.
Otherwise, I do like the track so hope you can work out this crossfading technique as it is very useful.
Hello Staticnomad again :)
i use FLStudio , sony acid pro , audicity , adobe audition3 .
but to be honest i still don't reallize what you're saying !
what is wrong with me or my music in those seconds ?
but i'll underestand if you download it and correct it and let me hear that version if you can .
i don't want to make you in trouble for that , but i'll really appreciate if you can do that for me .
i will write my email for contact if you reply that you can.
thank you much much .
Elena :)
:) hey Behnam what a great look !:)
i like your new avatar !
thank you much much for checking my stuff out .
when you say this is good i know this is good .
Elena :)
Hi. I really like some of this track. The riffs, the drum beats, the kick drum and more.
It's a shame that you, like quite a few other people on the site, don't say in the track description what you're doing here. So then I have to ask before I can make a judgment. Are you playing any guitar here? Are you programming the drums? Are you using drum loops? Are you playing the bass?
One thing which you should be able to do really easily to improve things is learn to crossfade between your different sections of audio so that you remove the awkward click and pop sound that shows where you have put two pieces of audio next to each other.
Here are some times when I can hear those clicks and pops:
0:03, 0:06, 0:09, 0:28 and many more in the second half without the drums.
Ask if you're not sure what crossfading two pieces of audio means. I have to do this all the time in my music (like hundreds of times just in one track).
Hello staticNomad :)
thank you much much for the advice !
yes you should probably be right ! but can you please tell me how should i correct this secconds?
i mean what program or software and how ?
i appreciate you dropping this words .
Elena :)
I enjoyed this Elena, very creative use of a whole bunch of different loops. It sounds like a lot of the jams we used to do late at night after we completed a show :) I definitely am impressed with the way you wove everything together. Added to favorites for sure. I hope all is well.
Hello Bear :)
this is nice to know you've liked it.
i've always tried so hard to make unique pieces
and your loops are awesome for me.
i appreciate your kind words and favorite sign.
Elena :)
Hi Tune D :)
thank you much much for the kind words.
but I wonder to read you've thought tempo changes in this !
tempo is fixed in 150bmp.
anyway i really appreciate your review.
Elena :)
Hello Cyber :)
thank you much much for listening me.
about arrangement i don't underestand what you mean but you're wellcome to help me make it better .
Elena :)
You might also like these tracks
If you liked regret buss by ElenaSatine you might also like these other Heavy Metal tracks.
Description : I asked Danke if I could add some vocals to his track Future Machine and he kindly agreed and sent me the track. The lyrics are about a soldiers experience in war as he and his trench mates are told to get up and out of their trench and attack the enemy across open fields. I can only imagine the fear, tension and chaos that goes through one's mind at that moment.
Description : I discovered Meshuggah around 2003 and was blown away by the power, complexity and super Heavy sound of their music. Their "Nothing" album marked the switch to 8 string guitars and pushed Heavy Metal into a whole new territory. My track is a variant cover of their song "Nebulous". I have stayed pretty close to the original but added a few dynamic elements of my own. Its loud, its super heavy and way out there...Beyond Nebulous.
Description : This unconventional metal track is dedicated to Valvedriver https://www.looperman.com/users/profile/841435 though it's not a parody of his fine music or me actively trying to sound like it. I struggled for months with the first few minutes of this track knowing that I must be able to take it somewhere deeper, more psychedelic and powerful. Then I loaded some sampled choir voice instruments, as used in my track Reckful https://www.looperman.com/tracks/detail/160356 and suddenly found myself happily in Valveland - not a place I visit often. Feeling amply Valvedriven and newly inspired, I added the last few minutes fairly easily and very quickly. So: it's a twisting, turning mixture of grunge, menacing ambient, mystical metal and ultra-heavy funk. Instruments: electric guitar+bass, synth basses, female choir voices, one synth pad, some other synths on the nastier side of things and a few programmed heavy acoustic drumkits playing a mixture of triplets and straighter grooves. Interesting thoughts appreciated. Favourite bits? Shit bits? Please listen on good headphones/speakers as there's a lot of heavy bass in this. Now get ready to rock: balls out, hands in the air and with rebellious joy in your heart. Just try not to headbang the hell out of your laptop. Go!
Description : Whats up guys?! Been a while I know. Iv'e moved around a lot but have finally settled down and have been hard at work with my metal band. Unfortunately I've had to put my solo work on hold for a bit while I'm recording with the band. We are being professionally recorded now, a very big step up from the last recording of my band that I posted here. Anyways, hope you guys enjoy! We are, Raze The Pyre.
Description : FINAL UPDATE -- 25.06.2015 -- L.O.D - Lovers of darkness
- Phatkatz4 on guitars and drums
- Joe Cramer vocals, synths and drums
I tryed to enhanced Phatkatz track. https://www.looperman.com/tracks/detail/139962
used loop - Chris Hall waves-and-ocean
german and english lyrics are in the lyric folder
enjoy - comments are welcome
Description : used 4 loops from 3nigmadjing including the insane riser which i love big thanks for that looperman-l-2432186-0114538-3nigmadjing-insane-trap-or-dubstep-buildup and ableton with old greco stratocaster.
Description : A grimy hard rock track fully produced digitally (even the drums!). The awesome main riff has been provided by prodreiter here on Looperman, and I made the drums in Addictive Drums 2, I will make them available as loops later.
i can't believe a sweet girl composed this !
wow...just wow !
thank you much much .
-Slimm
please forgive me about such a late reply .
I have been absent .
thanks and sorry again .
I think this is a good headbanging piece of metal, nice work with the drums, good choice of riffs.
Well i made it all the way to the end of the track and i actually didn't notice any riffs that don't work with each other. I thought it was a bit muddy in places but that just gives it a nice live feel.
I enjoyed listening to your track.
FR
this is good if you think it works .
he doesn't talk about riffs , but i don't care what the others want to show about themselves.
this is very good to have your review .
thank you much much for dropping these words.
Elena :)
I'm not sure I can explain any more simply what these small sounds are so maybe you're having trouble understanding my English. As I said before, search for something like 'crossfade audio' in the Help section or manual of the software you are using. I'm not sure what your first language is but if you can translate 'crossfade audio' into your language and then read what that means, I think you'll understand what the problem is. And how simple it is to fix.
"i'll underestand if you download it and correct it"
Sorry - I don't really want to but I don't mind writing out some things to help you (or anyone else). And this 'crossfading audio' technique is easy to learn about and easy to do.
Good luck...
Oh, and I still think is a good track and I still like the riffs.
do you just need to show you know somethings about music?
you're so nervous and pridefull.
i don't need your comments.
Wayne
thank you much much for the words .
i don't know much about differences of metal and rock
i thought this is rock because metal is faster and wilder toward this for me .
but as i see some people like you have called this Metal.
so i'm going to change the genre and put it in metal ....
thank you much much again.
Elena :)
If you have an audio waveform and then cut it off immediately, you will get an annoying 'pop' or 'click'. In your track, that is what is happening and it means that I can hear where you have put one riff next to another. The crossfade will just make the transition between the two pieces of audio smoother. So, it will very quickly fade out the volume of the first one and then fade in the volume of the second.
As I said before, I have to do this all the time as my compositional style means I'm always cutting up little pieces of audio and moving them around the timeline.
Search for something like 'crossfade audio' in the Help section or manual of the software you are using.
You track will sound much better if I can no longer hear the edit between the different riffs.
Otherwise, I do like the track so hope you can work out this crossfading technique as it is very useful.
i use FLStudio , sony acid pro , audicity , adobe audition3 .
but to be honest i still don't reallize what you're saying !
what is wrong with me or my music in those seconds ?
but i'll underestand if you download it and correct it and let me hear that version if you can .
i don't want to make you in trouble for that , but i'll really appreciate if you can do that for me .
i will write my email for contact if you reply that you can.
thank you much much .
Elena :)
Stunning drums.
Good work.
Paulo
this is nice to have your comment too here !
thank you much much for dropping kind words.
Elena :)
i like your new avatar !
thank you much much for checking my stuff out .
when you say this is good i know this is good .
Elena :)
It's a shame that you, like quite a few other people on the site, don't say in the track description what you're doing here. So then I have to ask before I can make a judgment. Are you playing any guitar here? Are you programming the drums? Are you using drum loops? Are you playing the bass?
One thing which you should be able to do really easily to improve things is learn to crossfade between your different sections of audio so that you remove the awkward click and pop sound that shows where you have put two pieces of audio next to each other.
Here are some times when I can hear those clicks and pops:
0:03, 0:06, 0:09, 0:28 and many more in the second half without the drums.
Ask if you're not sure what crossfading two pieces of audio means. I have to do this all the time in my music (like hundreds of times just in one track).
thank you much much for the advice !
yes you should probably be right ! but can you please tell me how should i correct this secconds?
i mean what program or software and how ?
i appreciate you dropping this words .
Elena :)
Steve
thank you much much for the comment.
Elena :)
tv
i appreciate .
Elena :)
Bear
this is nice to know you've liked it.
i've always tried so hard to make unique pieces
and your loops are awesome for me.
i appreciate your kind words and favorite sign.
Elena :)
I dig it!
Tune D
thank you much much for the kind words.
but I wonder to read you've thought tempo changes in this !
tempo is fixed in 150bmp.
anyway i really appreciate your review.
Elena :)
I enjoyed this and it's rock for sure.!
The main thing is to enjoy what you try to create,and dont worry too much if it's not to everyones tastes.!
I
thank you much much for the kind words.
i'm happy you've enjoyed this.
Elena :)
Handshake_Cyber
thank you much much for listening me.
about arrangement i don't underestand what you mean but you're wellcome to help me make it better .
Elena :)