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Comments (8)
If you have time take a listen and give MarnieG some feedback.
I really like the combo of pizzicato then bells with piano. You did a really good job of conveying the emotion. I can just visualize like a midday setting in any urban city.
I love what youve done with this track. Very emotionally moving. So much so that I felt compelled to mix it into about a 5 min instrumental (with added drums)
I plan to post it on on here. Link will be posted.
I also plan on writing to it. Contact me if you'd like to work together, because I'd enjoy that.
Fair enough but I hear them as errors and as if you've joined two bits of audio together, which often produces an undesirable pop. I edit a lot of guitar and bass parts together, which generates loads of these annoying pops though crossfading the two parts together to remove them is pretty damn simple in the main DAW I use (Cubase). I do a lot of that in almost every track I make.
Maybe you were thinking of adding something like some old record crackle. That might work but these audio artifacts, for me, don't.
"Unless you're hearing something I'm not"
I can only hear what I can hear and have no idea if that's much different to what you can hear.
This is simple and very pleasant stuff. Lots of great space in this and I like all the melodies. Great string sound, piano - everything just sits so comfortably in the mix.
But you can instantly improve this, in my opinion, by removing all the audio pops. I'm not sure why they're even in there. Here are some time references for when they occur:
0:02, 0:05, 0:07, 0:16, 0:19 and so on.
0:27 little (reverse?) fill is very tasteful and a useful little addition.
Good piano sound. There are lots I'm not keen on.
I mostly make very lengthy music but would have to say this is pretty damn good at this length. Longer could be better but this is perfectly for this length.
hi thanks for your comment!! :-) most of the clicks you refer to are artifacts we opted to leave in, from the libraries to make it sound more organic. Unless you're hearing something I'm not in which case I apologise..
Very interesting take on the big city, though I've never been to London. I do know the feeling you are trying to convey though. Enjoying the feel and the soundscape! Nicely done!
Description : Banda sonora de un videoclip que acabo de producir.Cuenta la experiencia de una pareja de astronautas y los recuerdos de ella al perder a su compañero. Espero que os guste. Animo y suerte para todos.
Description : Ok...here it is! Another colab with maestro Tumbleweed! Ed provided the unfinished, basic track...I composed and recorded the long intro using different synths and then added piano (well to the fore) and some brass arrangements along the rest of the track (no violin this time...hehe) and then did the final mixing to wrap it up as it is presented now. I hope you will enjoy it and we both appreciate your listening time and your valuable comments:) Otherwise all thanks to Ed!
Description : Just send me the link where you use that, please
Anyway, I'm looking for artists, especially doing melodic techno, deep house etc... to work in my music label called Chick Records
Description : Treated field recordings of bells and thumping big stainless steel sculptures and synth. Inspired by a trip to the sub-Antarctic Islands.
Description : There are a lot of talented people :
Ft Ankit Sharda for the mantra,
Ft Xelaplus for the choirs,
Ft jjweekz for the voice effect,
Drums :
AcidPro on darbuka
Danke on big cymbals
Loopfreak on indian percussions
Anubis on big drums
Tell me what this track made to you ^^'
Thank you.
Description : Dark, slow, ambient, cinematic jazz with funereal piano turning into something much funkier, psychedelic and beautiful in the second half. Out of the darkness and into the light, you could say. Instruments: electric guitar + bass, lots of synth sounds, including a horn, double bass, another big legato bass, pizzicato strings, two types of piano, a heavily delayed slide guitar instrument, zither, synth arp, one brushy drum loop, kettle drum rolls and 4 programmed acoustic drum kits. This is quite a special track for me and is only the second I've put in the cinematic genre. The more you listen, the more it changes (it even has key changes) and the last three minutes are really quite far out and should probably be longer. Best track I've made for a few months. Interesting thoughts and reflections appreciated. Free sex for the best reviews...
Description : So a new track for everyone. Im pretty impressed by this one, and would even place it higher than one of my best tracks, Angel And A Demon. However, I'm trying to decide whether or not I should put vocals to it. I have some in mjnd, but idk if itd be better to leave as is and keep it instrumental or not. Take a listen and let me know! Also, let me know if anything is too loud, still working on my mastering.
Description : NEVER STOP DREAMING!
Love what you do and do what you love.
Made out of Looperman Loops!
Made in 2 Hours!
I was bored and was thinking about a epic movie sooo...yeah...here u got it a full Cinematic Movie Soundtrack...Say what u think..........A NEED FEEDBAK ! A know...its just mixing loops together but it was really , really big fun to make this!
Fantastic job I really liked it.
I plan to post it on on here. Link will be posted.
I also plan on writing to it. Contact me if you'd like to work together, because I'd enjoy that.
thank you for your comment. very glad to hear that! I always aim for emotional.
I look forward to hearing that! :-)
- marnie xx
"artifacts we opted to leave in"
Fair enough but I hear them as errors and as if you've joined two bits of audio together, which often produces an undesirable pop. I edit a lot of guitar and bass parts together, which generates loads of these annoying pops though crossfading the two parts together to remove them is pretty damn simple in the main DAW I use (Cubase). I do a lot of that in almost every track I make.
Maybe you were thinking of adding something like some old record crackle. That might work but these audio artifacts, for me, don't.
"Unless you're hearing something I'm not"
I can only hear what I can hear and have no idea if that's much different to what you can hear.
Still a fine piece of music.
This is simple and very pleasant stuff. Lots of great space in this and I like all the melodies. Great string sound, piano - everything just sits so comfortably in the mix.
But you can instantly improve this, in my opinion, by removing all the audio pops. I'm not sure why they're even in there. Here are some time references for when they occur:
0:02, 0:05, 0:07, 0:16, 0:19 and so on.
0:27 little (reverse?) fill is very tasteful and a useful little addition.
Good piano sound. There are lots I'm not keen on.
I mostly make very lengthy music but would have to say this is pretty damn good at this length. Longer could be better but this is perfectly for this length.
A favourite for me.
Thank you for your detailed comment!
- m
- marnie x
Brado
These strings are from Spitfire Audio's Albion 1.. beautiful to use, powerful & soft. These ones are layered and EQd.
- marnie xx
- Marnie x
- Marnie x