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8th Jul 2016 07:37 - 8 years ago
Description : Heavy, evolving, slightly insane, ignore the genre, I call it Abrasive. This'll be going through one more round of mastering, this time with direct monitoring switched off!

I don't think my music likes being compressed, HQ https://soundcloud.com/metabolical/immortal

Comments (8)

If you have time take a listen and give Tinka0 some feedback.

tipass666
tipass666 5th Feb 2017 01:02 - 8 years ago
cool indus shit!!!
Indozizz
Indozizz 20th Jul 2016 07:50 - 8 years ago
Wow Drum & Bass like it! Heavy kicks and awesome rhythems, great overal play with sounds, hats, kicks, bravo!
Tinka0
Tinka0 replied 21st Jul 2016 - 8 years ago
Much appreciated dude, thanks for listening :)
Anonymouzze
Anonymouzze 16th Jul 2016 06:57 - 8 years ago
how do you make music like this ? pretty sick man! Trap music and hip hop gets boring for me.
Tinka0
Tinka0 replied 16th Jul 2016 - 8 years ago
Drugs....

Nah I'm joking.. Don't do drugs... Honestly dude I haven't the faintest idea... I just do, it comes out... My approach? Heavy metal is dead, time to bring the heavy music into the future.. A more technical answer, lots of experimentation, automation, rule breaking and above all ya just gotta feel it man.. Thanks for listening it's much appreciated :)
SupaFreakshow
SupaFreakshow 16th Jul 2016 04:15 - 8 years ago
Timestamp: Starts off wormish, then nyinging at 10 or 11 seconds in, then again later, and briefly again way later. This is wicked in headphones. People are gonna be like "WTF does this dude keep talking about nying nyings for?"
Tinka0
Tinka0 replied 16th Jul 2016 - 8 years ago
I get ya, email sent.. Good luck XD

Also, I just read your forum post and couldn't agree more! Although the (Looper)man won't let me into the forums :( with good reason of course XD
SupaFreakshow
SupaFreakshow 16th Jul 2016 02:16 - 8 years ago
First, just tell me what you used and some GOOD hints. haha.
I don't want my nying nying to sound just like your nying nying....caveman style here. As I butcher it, it will hit you up if it goes way off course. You can just email if you want. The nying nying is obviously top secret commando shit!
Tinka0
Tinka0 replied 16th Jul 2016 - 8 years ago
Only for the pros.. I couldn't begin to comprehend my own work flow, I just do... Timestamp this Nying Nying and I'll send you an email with an approximated recipe.
SupaFreakshow
SupaFreakshow 16th Jul 2016 02:04 - 8 years ago
And the "nying nying" sound... I QUIT!
Tinka0
Tinka0 replied 16th Jul 2016 - 8 years ago
I'll see if I can't make it for ya.. Preferred synth?
SupaFreakshow
SupaFreakshow 16th Jul 2016 01:58 - 8 years ago
And just to add to what I just posted...

When I say microphone, the same goes for anything being directly inputted to your interface/soundcard. Mic, synth, bass whatever.

The volume difference you are hearing is your soundcard bringing down the levels of everything not being recorded/inputted at that time.

Again, it has no effect on levels within the DAW itself...so your mixes are just LOUD \m/ .. \m/
SupaFreakshow
SupaFreakshow 16th Jul 2016 01:47 - 8 years ago
&^%$@%^!%@$^@&!^@%$!*@(*&^ YES!!!

NASTY, NASTY, NASTY!!!!!!

Congrats on being the first person in history to ever say their mix is too loud. HAHA

The direct monitoring switch basically controls recordings going through a microphone. It bypasses the whole computer latency through the daw and plugins and such. In a nutshell, it picks up exactly was is being inputed without any computer involvement. It is useful when multitracking at the same time (for example a full band) without having to worry about a bunch of latency problems. Any vst fx will not be in effect while tracking. The direct monitoring is only in effect during recording, so any playback and post mixing is not effected. If I am totally wrong, hopefully I will be corrected. But yeah, nasty track!
Tinka0
Tinka0 replied 16th Jul 2016 - 8 years ago
Fuckin' A.. There's a shit ton going on here, I had to sacrifice some things for a more pleasant sounding track.. Then I thought fuck that! This needs to be heavy... Added an extra sub track around 15hz!! I know, I know but fuck human hearing XD..

That sounds reasonable although I'm confused as to why it would affect the headphone volume output? Fuck it, I'll read the manual.

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Description : This if the final mix for all the instrumentation. And yes we're breaking quite a few conventions here. I like my diminished scales.

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Tempo:85
Meter:12/2 (mostly)
key:A locrian (mostly)
took a whole year and around 200 audio tracks to nail this

49276d20736f727279206275742074686572652773206e6f7468696e6720746f2073656520686572652e2e2e207965742e

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