Description : My salute to James Jamerson, one of the most influential bass players in modern music, he played unaccredited on dozens and dozens of Motown number one hits and as a kid I loved that music and still do. The secret to JJ's tone is quite simple, a Fender Precision bass, flatwound strings and a foam mute.....and last but not least learning how to play with feel.
Hey Dave, it's been a long time and looks like you haven't posted on here in awhile (I've only recently returned to the platform), I do hope all is well with you my friend. Came across this track by accident and can't believe I hadn't heard this before when I was on the platform years and years ago.
Playing harmonics within the actual bass groove really sets the track to another level. Love the jazz influence / production of what you've done here and it all sounds great. And what a great tribute to the man James Jamerson, enjoyed this very much.
Long time to see (or hear for that matter). I was travelling through tracks and found this beauty. Playing live I have had the opportunity to play a lot more jazz and fusion and this reminds me of some of those moments of genius that happen spontaneously. I really chilled out on this one while printing at work. How is the luthier work going? Cheers buddy!
Hey there mate, your a sight for sore eyes! long time no see buddy...I have to admit that since the overwhelming insurgence of soundcloud blowins on Looperman my music and participation has dropped off somewhat , but mainly because I've been busy doing other things, such as moving to the country, the luthiery is going well, I've got two telecaster type guitars and a few more basses in the works, I've actually turned over a new leaf and have stopped bitching about HipHop punks in the forums! lol. I'll be concentrating on my music now and channelling the forces of niceness! haha...man at some point in the future we'll have to get together for a collab again, I have just about every bass tone on tap now! :)...great to see you again Bill! cheers Dave :)
Seriously cool tune you've created here! The mix stood out right away as being an excellent example of knowing what you want and making it happen. Smooth and chill, but upbeat and full of dynamics!
I have very little experience on knowledge when it comes to motown or soul sort of music, but I can tell that this is a great nod to the style with your own added flair. Your bass playing, of course, fits right in with the style! Nice tone! A foam mute you say? Interesting.
One of the synthesizer arpeggiations there at the buginning totally reminded me of something I might design in a virtual synth. That's some sparkly stuff right there!
Well, I've got to go wash some dishes now. I'm glad I caught this tune, it's super fine! Fave!
Hi,
I like the sound, vibe and chill.
I am working on my art webpage and would like to use your music on my clips. Of course at every clip your name will be included.
Are you interested?
This is very cool stuff Dave.
Nice groove dynamics and kind off chilly bass. Very well played and mixed.
The solo part is a bit funny kind of soul music :) and like someone said before - the brass is a little strange but in a way also very cool (cause it is just like something that says hey i am a vst but have all the rights to be in a modern soul like song) :) The trumpet is excellent, same the sax. Really nice work and very good to relax and enjoy.
Hey Joe, thanks man!..yeah I was arranging this to suit the impressions I had of James Jamerson and it never was meant to be a straight soul tune, though I did try and squeeze it into a soul cake tin, what came out of the oven was indeed a little weird! thanks for taking the time to listen mate...cheers Dave :)
Seriously superb. This is a mix I can study to learn how to mix. The bass is fantastic and the horns and sax are perfect. I love everything about this - except one thing: It ends too soon!
Hey MrMofo thanks man!..it's always a dilemma on how long to make a track, I usually always think in terms of longer tracks (Lp's back in the day) but we've been conditioned to accept short tunes by the radio I guess..next time much longer for sure! haha...cheers mate Dave/PJB :)
Great track Planetjazzbass! It has such an awesome vibe to it. The bass was my favorite part. I really enjoyed the ride you took me on. This one's a Fav and its downloaded. Truly nice work.
Hey mate, thanks for the review buddy happy that you enjoyed the track!..hit me up anytime you'd like some bass work done on one of those old school gems you produce, all the best man. Dave :)
Hey Laurent, thank you very much appreciated!..glad you enjoyed the tune, I wasn't quite sure what genre to place it under but figured I go with the last half's general feeling...all the best Dave :)
Totally illegal sample to kick things off but I let you off. And then it's not motown at all. Is it?
Steady little, gentle, subdued groove with some predictably fuky bass and lead stabby keys. And even a bit of cowbell.
0:36 that's really not a Motown vibe. No glitchy, twinkly stuff in that sort of music. There's no I Heard It Through The Glitchline. But it's cool twinkly stuff.
1:44 surprise brass stab that seems a bit disconnected from everything else. Too dry, too close.
1:50 that's some weird sax. Kind of cool, squawking away like that. Brass stab probably now doesn't need to be there.
Then a tasteful key change and some muted trumpet that seems to belong more in the mix than the other brass. Good stuff. Played by you from the keyboard?
3:34 some wicked trumpet runs there! Very soulful stuff.
And a disappointing fadeout end before we head back to the naughty sample.
Overall: a cool vibe but I think some improvements can be made.
Hey Static thanks for taking the time to listen....actually I expected a similar reaction to this piece as you've given, my whole aim here was an analogous take on JJ's life and not an actual motown style, having said that your comments are nonetheless accurate from your point of view obviously. My approach is tangential, no illegal sampling here! lol and I'd successfully defend that in a court of law (if they actually exist) the listener is encouraged to imagine walking past a radio or studio hallway and briefly hearing a snippet of the music he was involved with, follow on the tune describes JJ's early career where things seemed twinkling and great, then an attitude of disgruntlement, lack of recognition and alcohol abuse ensued (horns) leading to his eventual untimely death (47) illuminated somewhat with the recognition of his contributions (flugel horn passage)...a conceptual piece bracketed by illegal sampling! lol and yes there's always room for improvement. brass vst's can be tricky...cheers mate I always like your reviews as their coming from an honest musician. Dave :)
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I would be willing to send the accapella if you are willing to play in same key, same tempo, some similar version as here. Just message me. :-)
Playing harmonics within the actual bass groove really sets the track to another level. Love the jazz influence / production of what you've done here and it all sounds great. And what a great tribute to the man James Jamerson, enjoyed this very much.
All the best,
Dennel
Long time to see (or hear for that matter). I was travelling through tracks and found this beauty. Playing live I have had the opportunity to play a lot more jazz and fusion and this reminds me of some of those moments of genius that happen spontaneously. I really chilled out on this one while printing at work. How is the luthier work going? Cheers buddy!
I have very little experience on knowledge when it comes to motown or soul sort of music, but I can tell that this is a great nod to the style with your own added flair. Your bass playing, of course, fits right in with the style! Nice tone! A foam mute you say? Interesting.
One of the synthesizer arpeggiations there at the buginning totally reminded me of something I might design in a virtual synth. That's some sparkly stuff right there!
Well, I've got to go wash some dishes now. I'm glad I caught this tune, it's super fine! Fave!
I like the sound, vibe and chill.
I am working on my art webpage and would like to use your music on my clips. Of course at every clip your name will be included.
Are you interested?
Thanks
Nice groove dynamics and kind off chilly bass. Very well played and mixed.
The solo part is a bit funny kind of soul music :) and like someone said before - the brass is a little strange but in a way also very cool (cause it is just like something that says hey i am a vst but have all the rights to be in a modern soul like song) :) The trumpet is excellent, same the sax. Really nice work and very good to relax and enjoy.
great track!
stay tuned
joe
bassy shit man
like the low freq snare aswell
PEACE
(LF)
Nice jam(erson) you have going here.
Totally illegal sample to kick things off but I let you off. And then it's not motown at all. Is it?
Steady little, gentle, subdued groove with some predictably fuky bass and lead stabby keys. And even a bit of cowbell.
0:36 that's really not a Motown vibe. No glitchy, twinkly stuff in that sort of music. There's no I Heard It Through The Glitchline. But it's cool twinkly stuff.
1:44 surprise brass stab that seems a bit disconnected from everything else. Too dry, too close.
1:50 that's some weird sax. Kind of cool, squawking away like that. Brass stab probably now doesn't need to be there.
Then a tasteful key change and some muted trumpet that seems to belong more in the mix than the other brass. Good stuff. Played by you from the keyboard?
3:34 some wicked trumpet runs there! Very soulful stuff.
And a disappointing fadeout end before we head back to the naughty sample.
Overall: a cool vibe but I think some improvements can be made.