Description : A darker, sad-ish intro section of electric and bass guitars, leading into an odd juxt of Celtic and Egyptian leads. A brief intermission of musicbox and guiro knocking before the heavy second half. The distorted guitar layers in this half took a long time with amp and cab sims to get mixed where it is now, along with some taken advice from a guy with VD. Any further advice is most welcome, along with any constructive or destructive criticism, critique or opinion.
This rock track was uploaded by Evisma. They retain full copyright and you are only entitled to listen to or download. For further details on how you can use tracks see the terms and conditions and the tracks section of the help area.
Comments (8)
If you have time take a listen and give Evisma some feedback.
Greetings O´ Smiter of the orange haired despotic one!
Nice dynamics. 2:00 was uplifting as all get out. Loved that progression. I could almost hear lyrics for this one. 3:02 is another sound that I am enjoying greatly.
¨some taken advice from a guy with VD.¨ I have heard that syphilis + gonorrhoea X Chlamydia leads to enhanced hearing, and a really painful itch in the nether regions, or even possibly industrial music. ;-)
This one was ¨Rad¨ ¨ Mint¨ ¨Groovy¨ ¨Dope¨ copacetic¨ ¨ The bees Knees¨ ¨Bad¨ ¨Fu Shizzle¨ ¨I creamed in my jeans¨ good! to name a few timely euphemisms
What bass player wouldn't want a bass intro to every song, right? You have that punchy bass tone we all come to expect, totally dig it. The differences between the first half and second is a good thing, dynamics get overlooked often but this one has a calm before the storm. Good job on modeling the guitar's sounds, there is good separation of the tracks using different settings and effects. Love the delay!
More music box!!!!! Such an overlooked instrument in the world of rock.
strangly enough i think it's a mix between a system of a down and dream theater like sound. The build up is really cool and i like the world music vibe it has. I wouldnt change a thing
Can you guess who it is yet? That's right - it's Tha Mothfuckin' Nomad, here to offer wisdom, deep insight and humour. Or at least just some words to read.
Classic Bass Bro bass intro.
0:15 little reverse swell fill that is a useful in place of, say, a drum fill. Then good toms and I can hear a nice, wide stereo spectrum, with interesting variety happening in both ears.
0:46 change has a jaunty little riff that is a bit too jaunty and Irish for me but that's OK.
Then the 1:00 Egyptian lead is very cool. You may not know that I was born in Cairo but now you do. Good that the jauntiness has been suppressed here. Might not fit with the exotic lead, which is a cool and unexpected flavour.
1:46 music box is also unexpected. Pleasant but not amazing. Then some massive guitar shit rips a hole in something, especially at 2:07. Progressive, climbing, probably somewhat chromatic rise. It's loud, with a flat waveform, but sounds just fine.
A useful break and then into other heavy riffage. Fairly rapid changes, as always.
3:24 another bit of lead g to take things further out and make them more epic. Gotta go on for a while with this kind of vibe.
Music box outro is fine. Woud have been odd if the instrument hadn't already made an appearance but, as it did, it works.
Lots going on here and some of it could be seen as an odd juxtaposition. But it also gives the track unique character so that's good. Could you maybe have tried to work a heavy version of the Egyptian riff into the final heavy section?
Empty Nomad, waiting like a stalking butler who upon the finger rests. Why can't he not be sober?
"You may not know that I was born in Cairo but now you do."
Yes, I knew that. You, and your Grandfather were born there. Your rowing butler has been giving me inside info on the Nomad for years.
Yeah, I could have used Harmonic Minor/Egyptian scale for an end solo, but I was ready to move on. This is not my best track, so was ready to go other places.
Nice.
It is crying out for vocals.
Give Ozzy a ring.
The ending was a bit delicate for such a heavy piece. Not sure about that bit but great rock sound.
Description : -JUST-IN, BREAKING, NEWSFLASH, BREAKING NEWS
renowned R&B Hip-Hop & Rapper dimestop has shocked the music industry with his latest drop, he's produced and singing vocals on a rock track with Rock Megastar Danke.
Rolling Stones magazine say a grammy in the making....hip hop insiders claim he's sold out
snoop dog was reported saying careful that motha fucka rip your heart out
Time Magazine state this is epic
Elon Musk tweeted #he's my Rocket man... more to follow as the story unfolds.
Description : This is my newest creation, at a stage very near to completion. No third-party mastering or mixing, as with all my tracks. Just have to fix a few tiny things. I FINALLY WAS ABLE TO MIX EVERYTHING IN THE SAME SESSION. This song has all human-played instruments - no quantization or MIDI! My brother does all the vocals except for the interlude part, which I do. My other brother plays the rhythm guitar (a Gibson Les Paul Custom - only one of 12 in the world!!) and I play the accompanying guitar (a Johnny Mar Jag and PRS). He has a lot of guitars :P A good friend of ours, Ronnie, plays the bass and another friend, Freddie, plays the drums. The drum track was done in one take (had to use an electric drum set due to time constraints - but acoustic kits are so much better). Overall, pretty satisfied with the result. Let me know your thoughts.
Description : Feel free to check out the lyrics video on YT as well :) This is a new track based on the great vocals by Ashes and Dreams! Again, a mix of electronic/progressive/rock, any feedback is welcome
Description : The first track I sing on. Cheap stage mic & no fancy plugins. Heavily guitar laden to the point it's got a bit of a shoegaze thing going on. I pulled the lyrics out of my ass & yes, they're a bit silly.
Description : BIG UPDATE 26/02/2014 - So, this was an 18 min track that I have now successfully split in two. 2nd half I uploaded a few weeks ago (Things That Should Always Be, with the bouncy 2 min reggae intro). This is the first half, which has a new mix, a mega chill, meditative ending and a little jazz thrown in for good measure. Takes a few minutes for beat to really kick in. Constantly evolving electric guitar, bass guitar, acoustic drums and lead banjo driven by fat, busy 80BPM grooves with a bit of a reggae and shuffle feel. Also: synth choir voices, dulcimer, violin, cello, shimmering pads. Builds up gradually to nice and rocking and then gets taken back down for the big comedown chill. I really don't know what sort of genre this is except 'far out'. I think it sounds more like a live band than one guy playing instruments and manipulating a DAW. Not my best track but a bit of blissful, sunny island fun. Real positive vibe here so I hope you give it a chance to unfold and unfurl. Sit back, clear your schedule and immerse yourself in these trippy sonic experiments cooked up deep in my off-planet underground laboratory. I have to send the MP3 to Earth via space courier (not cheap).
Description : This is the 2nd cover of Big Audio Dynamite i done With my freind John. We both fan of the band so we decided to do a challenge and produce a serie of covers. we done 4 in one month. each track got it proper video check my youtube channel indiegroundvid
I managed to upload my latest track but can't listen to anyone else's so that's why I'm leaving this comment here.
Here's my latest and you might like the title but perhaps not much more. Grooving cellout, no badassery. Give it a go:
Translucid
https://www.looperman.com/tracks/detail/188307
Nice dynamics. 2:00 was uplifting as all get out. Loved that progression. I could almost hear lyrics for this one. 3:02 is another sound that I am enjoying greatly.
¨some taken advice from a guy with VD.¨ I have heard that syphilis + gonorrhoea X Chlamydia leads to enhanced hearing, and a really painful itch in the nether regions, or even possibly industrial music. ;-)
This one was ¨Rad¨ ¨ Mint¨ ¨Groovy¨ ¨Dope¨ copacetic¨ ¨ The bees Knees¨ ¨Bad¨ ¨Fu Shizzle¨ ¨I creamed in my jeans¨ good! to name a few timely euphemisms
keep it up! (sponsored by Cialis )
Cruwahwah
What bass player wouldn't want a bass intro to every song, right? You have that punchy bass tone we all come to expect, totally dig it. The differences between the first half and second is a good thing, dynamics get overlooked often but this one has a calm before the storm. Good job on modeling the guitar's sounds, there is good separation of the tracks using different settings and effects. Love the delay!
More music box!!!!! Such an overlooked instrument in the world of rock.
Take care!
Wayne
Evan
Classic Bass Bro bass intro.
0:15 little reverse swell fill that is a useful in place of, say, a drum fill. Then good toms and I can hear a nice, wide stereo spectrum, with interesting variety happening in both ears.
0:46 change has a jaunty little riff that is a bit too jaunty and Irish for me but that's OK.
Then the 1:00 Egyptian lead is very cool. You may not know that I was born in Cairo but now you do. Good that the jauntiness has been suppressed here. Might not fit with the exotic lead, which is a cool and unexpected flavour.
1:46 music box is also unexpected. Pleasant but not amazing. Then some massive guitar shit rips a hole in something, especially at 2:07. Progressive, climbing, probably somewhat chromatic rise. It's loud, with a flat waveform, but sounds just fine.
A useful break and then into other heavy riffage. Fairly rapid changes, as always.
3:24 another bit of lead g to take things further out and make them more epic. Gotta go on for a while with this kind of vibe.
Music box outro is fine. Woud have been odd if the instrument hadn't already made an appearance but, as it did, it works.
Lots going on here and some of it could be seen as an odd juxtaposition. But it also gives the track unique character so that's good. Could you maybe have tried to work a heavy version of the Egyptian riff into the final heavy section?
Empty Nomad, waiting like a stalking butler who upon the finger rests. Why can't he not be sober?
"You may not know that I was born in Cairo but now you do."
Yes, I knew that. You, and your Grandfather were born there. Your rowing butler has been giving me inside info on the Nomad for years.
Yeah, I could have used Harmonic Minor/Egyptian scale for an end solo, but I was ready to move on. This is not my best track, so was ready to go other places.
More later,... masturbator.
It is crying out for vocals.
Give Ozzy a ring.
The ending was a bit delicate for such a heavy piece. Not sure about that bit but great rock sound.
Ozzy cares not about my little track, and upon inquiry, I was told to go do many harmful things to my body.
He's not into it.
Yes, delicate ending, but I dig it. I see your issue though.
Thanks for the listen and feedback.
Evan