Thanks very much.

Thanks very much.

Thanks again for your appreciation.

The ending just isn't good enough. A bit of wind down but nothing definitive or particularly interesting. Good endings are hard to do!

Yes, I'm not on the site much these days because of a serious drop in my musicality and ability to produce decent music. I think I only uploaded 4 tracks last year.

Thanks for the thoughts.

Merci pour les mots anglais!

Yes, a nice meeting of modern and ethnic here. The oriental sounds (different sitars) in the second half are a fun surprise. Maybe I could have put some in the first half but it wasn't really necessary.

Merci encore, Monsieur le Bleep!

Thanks.

Glad you found it interesting.

Psychedelic Christmas greetings!

I am not in fact the sixth Beatle, mostly because I was born 10 years after they disbanded. I’m sure if I’d been born 20 years before, I would have been in the group, probably teaching them how to make psychedelic drum n cell. Not sure how I would have knocked out dnb beats back in the 60s but I’d have found a way.

There’s almost a ‘big beat’ (I mean the dance genre) drum sound on the exceptional Tomorrow Never Knows, which is still one of the greatest and most futuristic pieces of music ever recorded.

Unsurprisingly, I’ve never met Paul or Ringo. The latter has lived in the US for years and speaks with what you might call a mid-Atlantic accent. Half English (Liverpudlian accent) and half American, especially when he says “and”. Would they like my music? No idea. They’d probably think it was at least OK, maybe nothing more. They might not appreciate the lack of vocals. We should find a way to ask them.

I’ve been to Carnaby Street a few times but I don’t know if it’s considered cool or interesting anymore. But I can tell you that it’s virtually impossible to lock up a bike up to anything there. There’s not much pavement space and no bike racks so I had to lock the bike up elsewhere, then head back in. Amazing story, eh?

This track still annoys me though it was fun to make, mostly in only a few days. It was made out of leftover parts from the last one, Seeds Of New Sins, so shares some of the same sounds (and drum loops). The “crazy modulated notes beginning around 3:45” synth came from that track though it sounds totally different in there and isn’t playing fast, arpeggiated patterns.

“How are you doing the bass under that?”

The answer is: very easily. There’s just one synth bass sound in the whole track so I just keep the bass going from the previous dnb sections, changing very little.

“Whose doing anything on this level ?”

Not really one for me to answer. Only me? 10 million others? Jimi Hendrix at his laptop in musical heaven? I have no idea.

“I don't know what Alien is making reference to but I'm not hearing it.”

I don’t really know what the hell I’m doing with mastering and fiddled about for quite a while with this. I know very little about EQ so just do my best with what my ears tell me.

The last 30 secs or so of this aren’t really good enough. They should be bigger and better and more memorable but I couldn’t find a way.

But I did enjoy the sitar stuff, celling it up and the dnb beats and am glad to hear you liked it so much.

Thanks again!

P.S. I have never taken LSD but I do own a sitar though it is merely collecting dust in my attic.