Description : This is definitely my best song and is a three-part suite that incorporates my previous song. This work, like my other recent ones, is dedicated to the cosmogony of H. P. Lovecraft. Your comments will be highly appreciated.
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Comments (10)
If you have time take a listen and give Stereonomicon some feedback.
I'm going to take a guess and say that you are fan of Richard Wright. (I mean, really, who wouldn't be?) Every now and then, in all of your work, I can hear elements that really remind me of his mid 70s work. So I'm just assuming.
You have a knack for transitions. Your ability to change sequences, moods, and tempos have a seamless and fluid quality that a lot of people can't really grasp.
Overall, this does have an 80s sound. The main difference being the production quality. It's much clearer than that which I remember from then.
That switch at about 2:50 is very Pink Floyd sounding. So, naturally I love it.
The dynamics you have are very well used. Nothing is crowded, nothing steps on each other, the panning and movement along with the phasing give it a nice full of life sound.
Dear friend good morning. As always, your review is very thorough and accurate and I thank you very much for your kind words. As you said I tried to recover the sounds of the 80s in this song, my main source of inspiration in this case was Tangerine Dream, but certainly also the Pink Floyd of the mid-70s. I really like the shape of the suite. but it requires a lot more work than a simpler piece. Now I plan to make another suite with a more electro touch and some post punk elements.
Best wishes and see you soon
Marco
the suite form really suits you. this is very well developed as composition and performance. it’s very cool to hear the sequencer deployed in a fresh-sounding way. the drums are just tasty. this seems a bit of a departure from the other works i’ve heard, it’s cool to get a sense of your range. peace, marco.
Dear Friend, thank you for listening carefully and for your nice words. In fact I really like making the pieces in the form of a suite, it seems to me that they can tell a story. However, it is a long and complex job to put all the elements together.
A cordial greeting
Marco
Thank you My friend for your review. I tried to do some work on the sounds to get the effect I wanted. To make my songs I use a synth for mobile phones called Heath Synthesizer and that offers extraordinary possibilities in terms of sound generation and creation of sequences and patterns. Best wishes
Merita di essere ascoltata per tutta la sua durata. Mi ricorda molto l'elettronica psichedelica di fine anni '70, in particolar modo mi richiama alla mente la fantastica suite (e l'album intero, of course) degli Automat (l'album dove c'è la famosa Droid, che tutti gli appassionati di automobilismo riconosceranno immediatamente all'ascolto). Questo tuo lavoro è un viaggio da fare ad occhi chiusi distesi su un letto, aiuta moltissimo il fatto che le percussioni sono una parte marginale della composizione e non dominano la scena, che invece se la prende tutta l'atmosfera e la sequenza in sedicesimi che è azzeccatissima. Bel lavoro Stereonomicon, preferita subito!
Dear Friend, I wanted to thank you for your comment so thorough and interesting. Your words give me great satisfaction. As far as the inspiration behind my music is concerned, it is precisely the one you mentioned, namely electronics at the turn of the 70s and 80s. I know Automats well, they are Italian like me and I thank you for having compared me to them . A cordial greeting
Description : Feel free to check out the video on YT as well (Alan McLaren Project - Upside Down) of this 6min journey from electronic to rock with some psychedelic moments...
This is my latest, but also one of my earliest tracks.... any feedback is more than welcome, thanks :)
Description : This is a strictly groove track where the elements of ambient meets electronic funk and Hip Hop. I play all instruments on the track excluding guitar solo which was performed by my friend Art Miller.
Description : A demo of one of my current projects. The chorus vocal sounds like "Aaaaraashe" to me. The song is in C# minor with a nod to C# pythagorean on the chorus. The beat on the verse was inspired by the Peter Gabriel song Intruder.
Description : This is one of my earliest productions that I did at the start of my recording career. I did not have a keyboard at the time I made this song, so I improvised and used my sister's iPad and a 5 dollar GarageBand application instead, and plugged the headset jack into into my PT6 rig and did my best to turn each individual track (which were mono and there were about 25 tracks or so) into a stereo image. Then recorded vocals over it. My computer was so old and slow that I had to mix my music and then BOUNCE it to a new session - four times. My computer (which had 512 MB RAM and an 80 GB hard drive) couldn't handle more than 8 tracks at a time or it'd stop working because the processor couldn't handle it. Took me FOREVER to do. But I got it done. Had a lot of fun doing it too, even if it isn't my "best" work. I'm still happy with it, considering I didn't have many tools to choose from at the time.
Description : Long time lurker first time poster, pretty new to production n stuff, this is my first track in Ableton Live.
was going for a darkwave/synthwave sound, reminiscent of Justice, Carpenter Brut, Perturbator, ect.
Looking for some feed back, constructive criticisms or even just your thoughts if you liked it or not. This is just a rough cut on this current WIP, just the bones of it if you will.. If you have some cool title suggestions, would love to hear those too.
Thanks for listening.
-B
Description : Far out mid-tempo fat beat deep chillout grooves with Eastern/Arabic and slightly menacing vibes, huge delayed synth bass and a great palette of psychedelic layered and intricate sounds (mostly synths) and a stirring, epic feel. Even has guitar solo section reminiscent of some 80s power rock which is then followed by a brief synth harp solo. I began making it straight after staying round the flat of the flute player from the legendary Ozric Tentacles - easily the greatest ever space rock band. I made this in about 2001 and still think it might be my best track (and it's nice and short, for a change). My production skills were much weaker in those days (no EQ, compression or mastering used here) but, somehow, this one turned out pretty much just right. Feel free to disagree. Now sit back and get ready to trip extremely far out. If you manage to return, let me know how that trip was...
I'm going to take a guess and say that you are fan of Richard Wright. (I mean, really, who wouldn't be?) Every now and then, in all of your work, I can hear elements that really remind me of his mid 70s work. So I'm just assuming.
You have a knack for transitions. Your ability to change sequences, moods, and tempos have a seamless and fluid quality that a lot of people can't really grasp.
Overall, this does have an 80s sound. The main difference being the production quality. It's much clearer than that which I remember from then.
That switch at about 2:50 is very Pink Floyd sounding. So, naturally I love it.
The dynamics you have are very well used. Nothing is crowded, nothing steps on each other, the panning and movement along with the phasing give it a nice full of life sound.
Excellent work as always.
Take care.
Aaron.
Best wishes and see you soon
Marco
A cordial greeting
Marco
A cordial greeting and a happy new year.
Well done.
Jamid