Description : A Metro Boomin, Offset, Drake, Murda Beatz kinda vibe. You can purchase the beat on my beatstars link in my profile.
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Comments (12)
If you have time take a listen and give felixamodeo some feedback.
The hat is way to bright (along with the mixing, its decent but could be better). A way to fix this may not even be eq, but rather if its in a sampler bring the hat down a couple semitones. Also, in the master, you should really look in to some mid/side processing it could help. And to back up Format, he doesn't mean make the mix flat (that would be dumb ur right) he means he is listening to this song on a flat EQ device to hear all frequencies evenly and judge rightly between what is good and not. But besides that beautiful, and that sub tho wow good job!
I do listen on flat EQ devices, I have some Linear Phase 8812's which are old but still gold. Very even and flat response from them even till this day. My headphones are Vu HPC-8000's, which I do know have a bit of a crispier sound due to a boost from 4k+ frequencies, BUT otherwise are very solid headphones for mixing. Wouldn't take alot to get a great mix using this equipment. I think its more preference, I do like my hihats loud because like I said previously, they hold the groove of this beat most of the time due to the lack of percussion. This was more of a personal choice, not a mixing mistake. However I am glad you loved the sub, lol. I really love giving my low end lots of power, ever since I was in middle school making dubstep sub frequencies always interested me the most. As for mastering, I don't put my all into it as the producer because I know some engineer that an artist is working with is gonna master the track with vocals anyways so I just throw on some gain reduction, EQ, multiband, and then some of that sweet sausage fattener, LOL. Thank you for the feedback, I will be trying to dial back those hats for the listeners ears in the future.
Banging track bro..love that heavy bass sound..damn near blew my coffee cup over..Listening thru a couple pair of different monitors...headphones, and avatones..I don't hear anything wrong with the high hats..I'am not a pro but, sounds good to me..nice work.
Like I had said, its all preference. I personally like mine loud and present because it keeps the rhythm and I don't use a lot of percussion to keep the groove in this beat. My mixing mirrors a lot of Drake songs because that's the style I go for. Loud Hihats FTW! lol glad you enjoyed.
Don't mean to spam ProdByFetti, I have pro studio gear with state of the art flat response software and I'm getting bright highs. Just putting my honest opinion out there to help artists like I've been helped. Otherwise great work. Best regards ~ 4M@
I understand and appreciate it, but the brighter highs are a preference thing for me. I don't like my mix sounding super flat because then when you lay a vocal over it occupies so much of the high end, ESPECIALLY with how modern vocals are mixed as I previously said to another comment. I'd rather give an engineer a sort of bright mix that can easily be pushed back by a basic eq then a mix that the engineer has to throw a multiband on and squash to get the high end to come out past the vocal. Thats all personal taste and my style. I encourage you to try it out for yourself. Glad you enjoyed the listen.
Sounds nice, I since a lack of complete harmony in the mix though, its probably mostly due to the mixing environment and the translation on different playback media. There are a few ways to fix this; professional acoustic room treatment that creates a flat response or certain plugins that mimic this concept. Nice work overall.
I assure you there is plenty of harmony in this mix. Lots of counter melodies and chord progressions all working together in this, the beat was mixed on flat monitor speakers AND headphones. Maybe its the device you listened on? Unsure but there's nothing I can do on my end to fix that issue. Thanks for the feedback though.
Pretty laid back track, with one big difference and that is the subbass that puts some real heat in it. I think some rap storytelling would fit nicely. It definetly deserves some good vocals. Well done!
Thank you. I started to gravitate to these low sub basses more as of recent simply because I can get away with both super simple one or 2 note basslines, OR super complex slidey ones like demonstrated in this particular instrumental. I appreciate it man, I go all out on EVERY beat, can't wait to showcase even more to the community. :)
if you listen to most mainstream trap beats, the hihat often is piercing at times. This is because in contemporary hiphop, vocals are often given a good hunk of the high end of the frequency spectrum. This gives little room for our hihat to punch through, so I mix mine to be very present so when they lay those vocals down, you can still feel the groove of them very strongly. I suggest you do the same for you if you are interested in this style! Thank you.
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Description : This song is my first attempt at trap(?) and was made ENTIRELY with Looperman loops in honor of this awesome site and also to demonstrate what you can do with Looperman loops :P. Compiled, edited/processed, mixed and roughly mastered in about 16 hours. I am collaborating with a Looperman rapper right now who will lay some verses on this and I will do the hook. In other words this is not a finished product just yet, but wanted y'alls opinions on it.
Description : MY IMPACTS DIDNT WORK >:C
anyway: hey guys c:
Some new Stuff from me.
I didn't know wich genre I should pick, because I tried to do this Dubstep Part but it still sounds pretty trappy, so I chose Trap.
Feedback would be absolutely cool and if you want any of these Sounds, I'll load them up. (Just tell me in the comments).
Description : hello here is the mix and mastering that I did for an artist who despite the quality of my work she refuse to validate this project so I ask for your opinion on the quality of my mix and my mastering
I'm open to any suggestion.
here is her version
Description : type beat, type beat 2017, beat, playboi carti type beat, trap type beat, trap beat, free type beat, 21 savage type beat, trap, lil uzi vert type beat, metro boomin type beat, drake type beat, instrumental, free 21 savage type beat, hard trap beat, free playboi carti type beat, playboi carti type beat 2017, future type beat, famous dex type beat, free lil uzi vert type beat 2017, 808 mafia type beat, lil uzi type beat, young thug type beat, rap, free beat
Description : (Prod. Xeos Beats x Who's wyler) - 135BPM
If you use this track for whatever reason, it just fair to give credit to the producer (Prod. by Xeos Beats x Who's wyler) or share your work and leave a feedback.
Instagram : @xeosbeats if you want a collab or a specific beats or on my profile contact page
Leave a comment to see what you did with this beat
TAG - Ignore
trap beat 2020 instrumental guitar flute drums bass chill rap sad beats love hip hop
Description : so me and Aaron finally collabed, as i do with all producers on close collabs, i do the vocal and processing then its up to the producer, i give them carte blanche, i don't tell them their job, they do as they wish edit drop lyrics etc
my first attempt at trap, the vocal layout was down to me, and all the bells and whistles Pnnywse, im extremely proud to promote this and show whats possible when you make good links here on the loop, we have an abundance of talent, thanks for your hard work Bro
Description : Playboi Carti WLR drums only for LEGENDS
Are you a real Vamp? Prove it by showing what you made in the comments
playboi carti, pierre bourne, 21 savage, lil durk, lil baby, metro boomin, gunna, polo g, g herbo, lil uzi vert, young thug, NBA youngboy, juice wrld, Yeat, KanKan, Ken Carson, Playboi Carti, WLR, Hyperpop, Hyper pop, Trippie Redd, Rage, Dababy
Description : Well its a trap beat at least...Guitar, synth, vocals and words by me (except for the title bit from a poem of same name by Stevie Smith).
Description : Step 1) Make a really repetitive beat (No Distortion).
Step 2) Make sure there's a long segment at the end of the beat of JUST THE BEAT because the actual song will only be like a min and 40 secs.
Step 3) For the "distortion", don't actually distort the beat. Most people think you distort the 808 to get the the XXXTENTACION sound, but that's wrong. Make sure the beat is PROPERLY mixed/mastered and THEN boost the bass frequencies until you reach your desired amount of distortion.