A Plague On You - RayKoefoed

I like ur track and there is a sound that i really love(like around 32 sec's). But there is some high sound (like around 2:33)that makes ur track not so attractive. I used these vocals too in a track of mine (Ephor - A Plague on you) but couldn't upload here but check youtube if you likely want to hear it. Cheerz

wow man...this is a great tune...i really like your stuff...good job on this...and i used this acapella for my track *A Plague On You*...he he...lol...good title :)
keep up the good work man...
cheers...JW...

Your vocals remind me of this guy I saw a video for a long time ago called Mortis, apart from your lyrics are much better/deeper. Not my kind of music, but I can appreciate the lyrics, no doubt.

Great track here, i would have most diffently added a havey bad ##### guitar on this, allthought it would have made it more ##### punk!! but fun stuff!!

Bm;)

This is probally,my favorite track of yours so far.Very well put together,there was a few glitches and pops but thats probally my crappy pc,and your vocals are spot on for this type of music

I've been listening this song for 1 week straight and still on going :D

As a kid I listened to Rammstein and combichrist. And still I know they listen.
My point is, you have vocals like combichrist.
really think, you put this effect on the vocals as they are!
nice track by the way!

this is awesome as always. not to label what you do, but your like the nivek ogre of looperman. i could seriously sit and listen to your music all day long. if your interested in maybe letting me remix this or something else just hit me up man. cause it would be an honor.

i like this men. even if i dont hear industrial. lets talk about quality and production.....HELL YEAH NICE MEN [lol].. this is some hot quality.

everything is on point i have nothing to complain. nice idea and creativity bro.

respect !

IBoBeatz

Hey, this is really cool Ray! Think you should go with the flow on your approach to constructing your songs. Loved the vox!

I spend as little time as possible recording my live tracks, guitars and vocals. I think when you go back and try to adjust the flow of things, you can take away some of the spontineity and lose the initial idea and feel of the song. I'll go back and fix mistakes basically. I can spend half an hour to eight hours recording the tracks then about the same time on the engineering and mixing of the tracks and I usually end up posting a 2nd or third mix.

Could they be better? Probably, but I'll be working on the next one tomorrow. It really frees you up and lets you be more loose(in a good way)about your music! You'll be surprised by your creations and we will all benefit by listening to them!!

Oh yea, great song!! :)

Wayne

Hi Ray,
I already loved your instrumental tracks but I think your songs really take another dimension with your vocals.They're more direct,catchy and efficient:this one is already stuck in my head.
Thanks for posting the link,I'll be checking your lyrics
I faved and downloaded this one.
Great music
French Kid

Hey I checked out a few of your tracks, and you're honing this interesting fusion of dark electro, industrial (almost gothic) and new wave. For a guy recording at home with a mic that probably doesn't cost more that $199 the vocals sound excellent. Your songwriting is getting much better, this is possibly your most coherent track.

I do have a couple of suggestions. I would add some more harmonic structure to your songs. In this song the bass synth stays on the tonic or "home" note through the whole thing, while the higher distorted synth sticks to one chord. It's driving, but for vocally-based song, harmonic progression really sells the package. Practice bouncing between two chords in a verse and a chorus section, (pitch shifting samples is a nice way to do this). You're probably going for pretty simple, powerful industrial song structures so minimal movement is necessary, but it really makes the difference between a musical idea and a developed song. Study how your favorite artists build pop-structured songs. They are made of simple repeated structures with chords or chord progressions in sections: A-A-B-A-A-B or A-B-A-A-B-C-A for example. Also when it comes to "proofreading" and mixing tracks, I have the same problem of being easily overwhelmed and quickly obsessed by little details. I find that when I start any audio project it's easiest to attack it in layers, and peel them off one at a time like an onion. First I'll get the samples right, then I'll lay them down and draft the structure, then I'll work on transitions, then mix, recheck, mix again, etc. Working on tasks of one type at a time and in logical order keeps me on track.