Description : slow and moody introspection that breaks into (I hope) thrashy, cathartic beats. what does this song need to get it "there?" Help...!
(and, yes, I am completely leaning on a concept from Chemical Bro's "Where Do I Begin")
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Comments (7)
If you have time take a listen and give AngelaSheik some feedback.
i would like to put a remix of this together...if I have the original stems, tempo and dry vocals..this is a hit..let me know...i do tracks 24/7....no sell out!...
very inspiring track here...please, check out my Linkin Park and Pendulum remixes if u can...aand OK gO!
this is a smashing effort, i agree with nickQ's tips about reverb and delay. a lot of top producers know that a short room or plate reverb. a medium to long hall or stage/ambience reverb. and two delay units one with sorter tap times and one with longer tap types, can glue elements within a mixdown far better and quicker than giving each track in the song its own delay and or reverb. distortions and modulation type fx generally fit the job of adding color, movement or tone to individual tracks in a mix. because your voice is an instrument, which i loved by the way, finding the right dash splash or smear of reverb, trickle splatter or tunnel of echo or delay even chorus or light harmonizer effect is worth investing time into. peter gabriel has a chorus effect which he came across in his early days, its still used every time he needs to get his sledge hammer voice on. janes addiction is a good example of the delerium and extra projection a long tap delay with a bloom of reverb around it. i loved this mix tho perfect and polished losses to character and this mix has bags of it, grabbed a download and fav"ed. thanx for reviewing a loop of mine to. i would like to do something with your vocals if your keen we can chat more. girl power! regards............................................!1X1!.............................
I was really enjoying the beginning part with your wonderful voice and then the musical part started and I was even more blown away. Quite talented you are! How come I never noticed you here before? My bad, I'm such a hump!
Well it would be hard not to see the Chems influence. I will 2nd paul on the voice compliment. I think some of the cymbals and higher end stuff needs a bit of a tidy up (i was getting some hissyness). If you ever wanna do somethin together let me know.
Description : Feel free to check out the video on YT as well (Alan McLaren Project - Upside Down) of this 6min journey from electronic to rock with some psychedelic moments...
This is my latest, but also one of my earliest tracks.... any feedback is more than welcome, thanks :)
Description : A demo of one of my current projects. The chorus vocal sounds like "Aaaaraashe" to me. The song is in C# minor with a nod to C# pythagorean on the chorus. The beat on the verse was inspired by the Peter Gabriel song Intruder.
Description : This is one of my earliest productions that I did at the start of my recording career. I did not have a keyboard at the time I made this song, so I improvised and used my sister's iPad and a 5 dollar GarageBand application instead, and plugged the headset jack into into my PT6 rig and did my best to turn each individual track (which were mono and there were about 25 tracks or so) into a stereo image. Then recorded vocals over it. My computer was so old and slow that I had to mix my music and then BOUNCE it to a new session - four times. My computer (which had 512 MB RAM and an 80 GB hard drive) couldn't handle more than 8 tracks at a time or it'd stop working because the processor couldn't handle it. Took me FOREVER to do. But I got it done. Had a lot of fun doing it too, even if it isn't my "best" work. I'm still happy with it, considering I didn't have many tools to choose from at the time.
Description : Long time lurker first time poster, pretty new to production n stuff, this is my first track in Ableton Live.
was going for a darkwave/synthwave sound, reminiscent of Justice, Carpenter Brut, Perturbator, ect.
Looking for some feed back, constructive criticisms or even just your thoughts if you liked it or not. This is just a rough cut on this current WIP, just the bones of it if you will.. If you have some cool title suggestions, would love to hear those too.
Thanks for listening.
-B
Description : Far out mid-tempo fat beat deep chillout grooves with Eastern/Arabic and slightly menacing vibes, huge delayed synth bass and a great palette of psychedelic layered and intricate sounds (mostly synths) and a stirring, epic feel. Even has guitar solo section reminiscent of some 80s power rock which is then followed by a brief synth harp solo. I began making it straight after staying round the flat of the flute player from the legendary Ozric Tentacles - easily the greatest ever space rock band. I made this in about 2001 and still think it might be my best track (and it's nice and short, for a change). My production skills were much weaker in those days (no EQ, compression or mastering used here) but, somehow, this one turned out pretty much just right. Feel free to disagree. Now sit back and get ready to trip extremely far out. If you manage to return, let me know how that trip was...
Description : Got some spare time finally...just started on some random ideas basically (lets say kygo meets alan walker). A blend of dubstep,edm,downbeat,tropical etc.
It's still a work in progress, so i would appreciate your honest inputs. Thanks to all those whose loops I have used in here, sorry I don't have time to search them out.
Edit-added some more filthy sounds from my previous tracks and gave it some ending. Advice will be helpful.
ad: once started (the trip) no need to go. Huh?
very inspiring track here...please, check out my Linkin Park and Pendulum remixes if u can...aand OK gO!
Pendulum
https://www.looperman.com/tracks/detail/50927
Linkin park
https://www.looperman.com/tracks/detail/40992
also, OK Go!
https://www.looperman.com/tracks/detail/51136
Wayne