I agree with Alien. This sounds great but I'm old. I think a deep voice would go good with this. I'd direct you to my idea but it is no longer posted. It's called Get Out on the Dance Floor and featues an acapella by Minor2Go. Vic
Joy as ever! Nice little groover here mate, nice and deep and funky.Loving those organ? stabs, and the vocal shouts blend beautifully over the track! I hope this is a little taste of summer!
spudsy m8 you obviously know exactly what your doing in this game ... teach me!!! jks,jks good work m8 ill get there its inevitable as my heart is so into it ...great clear sound ...
Hey, Spuds. I've been enjoying your tracks. I've got a lot to learn from you I think. I can hear how you handle the kind of things you critiqued in my track, at least I think I can. Your tracks just sound a lot better. One request: It would be great to read a detailed comment from you on one of your tracks (e.g. this one) about how you constructed it, how you approached the mix, what you side-chained, etc. That would be really valuable I think.
Thank you ever so much buddy. I never mean to be overly critical of peoples work and I'm so glad you took what i said as it was meant.
With a track like this with so much going on I tend to use the 'Call & Response' way of working.
In the case of this one I pretend the the bass is asking the drums a question. and after the bass has asked (the bassline finishes) With the end or every 4/8/16 the drums answer the bass with something. Like a double clap, reversed crash, tuned up tom hit..... etc.. I know that sounds weird but its the way i organise sounds, hits, melodies. It gives the music an ebb and flow.
A great Deep House track! Pulls you right along. That's one of my favourite EDM genres. That and Trance.
You did a really good job on this. I was interested in your comment that in a club (I've never been to one which probably explains why I suck at making this kind of music)all people want is beats, builds, and bass. :) That's good to know. I always worry that my EDM tracks don't contain enough variation.
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Cru
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Regards from snowy Ottawa
Eric
With a track like this with so much going on I tend to use the 'Call & Response' way of working.
In the case of this one I pretend the the bass is asking the drums a question. and after the bass has asked (the bassline finishes) With the end or every 4/8/16 the drums answer the bass with something. Like a double clap, reversed crash, tuned up tom hit..... etc.. I know that sounds weird but its the way i organise sounds, hits, melodies. It gives the music an ebb and flow.
Hope this helps buddy.
on Would be - SubCitizen by Spudsy
on SubCitizen - Get Deep by Spudsy
You did a really good job on this. I was interested in your comment that in a club (I've never been to one which probably explains why I suck at making this kind of music)all people want is beats, builds, and bass. :) That's good to know. I always worry that my EDM tracks don't contain enough variation.
on SubCitizen - Get Deep by Spudsy
on SubCitizen - Get Deep by Spudsy
on SubCitizen - Get Deep by Spudsy
-z
on SubCitizen - Get Deep by Spudsy
on BigRedButton - Oh Whah by Spudsy
on BigRedButton - Oh Whah by Spudsy
on BigRedButton - Oh Whah by Spudsy
on BigRedButton - Oh Whah by Spudsy
on SubCitizen - Get Deep by Spudsy