Wow! I did not expect to see a professional of his craft here! The sound is simply incomparable in terms of mixing and mixing. Delicious percussion, with vocals well embedded in the overall mix. Instruments do not interrupt each other and sound natural. I liked it all very much! Looking forward to your new work.
An excellent track that I will now play on the player every day and believe that everything will work out. Thank you very much for your professional work!
Cyrus0547. First off your stop, listen, feedback, and fave is appreciated big time. And yes everything will work out just fine based on your belief. I'm speaking from experience. Thanks for sharing that this listen was an inspirational one.
The sound quality in your track is just incredible! I would love to learn how to do that quality in my tracks. My dream is to be your student! Sincerely, Cyrus
Hey dude, when I listen to the sound of your songs it sounds very professional! all styles combined I have not listened to many tracks of your quality!
Michael
Hello! I would like to express my respect for your quality work on sound and its mixing! I especially want to express my gratitude for each of your comments under my music. It's great that there are professionals who evaluate my music. Sincerely, Cyrus
Thanks for your feedback. It's still in early stages atm so loudness isn't the priority just yet, but I shall bear it in mind - thank you.
I think the reason it comes across as quiet is because I used the Soundcloud/Tidal loudness guide in my DAW to set the loudness level according to what they allow. I'll try boosting it for when it's finished though.
Hi
Thanks for dropping by and showing interest for our tools. This is mainly an ITB production, so we make use of some plugins all right :-)
The Hurdy Gurdy in the A-part is from the Scandinavian Roots Vol. 1 ReFill loaded into the NNXT Sampler in Reason.
During its second round, the Hurdy Gurdy is harmonized with a Cello (to the left) made with Reason´s Friktion physical modeling synth.
The main instrument in the B-part is a Sweedish bagpipe from the same ReFill loaded into NNXT. However, it is droned and layered with octaved bagpipes sampled from the Korg Prophecy physical modeling synth.
The flute is an Offerdale Flute from Scandinavian Roots as well.
The choir is a patch I made with Reason´s Combinator module, where I morphed the Humana Choir ensemble with other choir samples to create more dynamic and realistic vocals.
The bass wave sequence is made with sampled bass shots from my beloved HW Polivoks synth and just as admired Repro-1 softie.
Peter´s guitar is recorded raw in several takes, noise treated, and layered subtly with itself to get a fuller sound that does not drown in the mix.
That hats are just create goosebumps under my skin! Synths are very immersive in their thoughts, but I would like to note that the sound is a bit aggressive for ambient, but maybe it just seems so to me. Cool anyway) respect bro
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Michael
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Thanks for that my friend.
Glad you like it.
Maj
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I think the reason it comes across as quiet is because I used the Soundcloud/Tidal loudness guide in my DAW to set the loudness level according to what they allow. I'll try boosting it for when it's finished though.
Thanks again for your comment.
on Jotuns by TribeOfHofund
Thanks for dropping by and showing interest for our tools. This is mainly an ITB production, so we make use of some plugins all right :-)
The Hurdy Gurdy in the A-part is from the Scandinavian Roots Vol. 1 ReFill loaded into the NNXT Sampler in Reason.
During its second round, the Hurdy Gurdy is harmonized with a Cello (to the left) made with Reason´s Friktion physical modeling synth.
The main instrument in the B-part is a Sweedish bagpipe from the same ReFill loaded into NNXT. However, it is droned and layered with octaved bagpipes sampled from the Korg Prophecy physical modeling synth.
The flute is an Offerdale Flute from Scandinavian Roots as well.
The choir is a patch I made with Reason´s Combinator module, where I morphed the Humana Choir ensemble with other choir samples to create more dynamic and realistic vocals.
The bass wave sequence is made with sampled bass shots from my beloved HW Polivoks synth and just as admired Repro-1 softie.
Peter´s guitar is recorded raw in several takes, noise treated, and layered subtly with itself to get a fuller sound that does not drown in the mix.
Kind Regards
Gothi
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cyrus0547 gmail com - my contacts)
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