nice work... I see it a a pure rhythmic composition: not focused on harmony but solely on the rhythmic interactions of the little insects that can be found in the butterfly's world.
maybe the connection with the butterfly is not so "obvious": we usually regard them as more "ethereal".
but in general is a very interesting piece of music.
you never cease to create new things... good!
i had hoped for a kinder, gentler butterfly effect. but perhaps my frame of mind during the 'Tang' process did not permit it. I ended up with the 'aluminum winged butterfly' or just say the 'iron butterfly'! The track became something harder, edgier than I had imagined.
But I am happy if I conveyed someething of the butterfly's perspective on her world. Thanks for your listen and considered comment mr. wolf.
good track MrKossa
sound is very "clean" and well produced.
I can see that you left a good amount of "space" for a vocal part. I am sure that with the right vocals this good become a good hit.
Good work!
Ciao, Domenico
PS: just curious, which plugin have you used for the "guitar-like" sound?
Hi Spiv,
Good track man!
Lot of "devo echoes" in the chorus.
Liked it.
Keep your "disturbing" music coming!
You know that's what we want from you!
Ciao, Domenico
Wonderful track MrPJB!
Very tasteful and "groovy" bass lines.
Outstanding work on the guitar: bluesy and "flowing". Liked it.
Overall... good atmosphere and a very pleasant track.
Enjoyed.
Ciao, Domenico
Hey MrWolf, thank you very much for your kind words they are greatly appreciated, I like to play guitar and will do more of it in future tracks..be over to check your page very soon, thanks again mate! cheers Dave :)
Great Track!
Balanced and enjoyable: impeccable arrangement and mixdown. My favorite part is the "really-funky" guitar at the end of the song.
Very effective!
Liked it!
Ciao, Domenico
Hi Joe,
Good to hear this!
I watched the pictures of the observer... the first one is my favorite. And I think it describes well the mood of this track: a bit uneasy, with a touch of "real madness". Good!
Definitely you are not a boring artist.
Thanks for sharing your music with us!
Ciao, Domenico
PS: the German parts make the song even more "edgy"
Good to know that you think that i don't make boring stuff
and also nice to know that you could enjoy, in a way, the observers to this track.
When i was working on this one i had the idea to mix the english and german parts every line but the sound of this two different parts are to different (in my ears) and so i did it in that way you found it here.
And, not you have to thank me that i share this stuff with the comunity, i have to thank you and the rest of the comunity that you take some time and listen to my kind of music.
Comments like yours are the reason why i share my art.
PS: I also agree with Danke, the sax sound could be improved and bring the track to a whole another level.
Or you could go for something different (sax is one of the hardest thing to mimic with a synthesizer)
PPS: what a boring man I have become... I just second what others say... too bad :-(
Hey man, thanks for listening and the suggestions. Yeah sax is hard to emulate but I quite liked the one in this even if it is not obviously real! Glad you liked it though :)
you made me tap my foot, with something that was the same time a bit "scary".
I must be insane... how did you know it? :-)
Hope all is well...
Ciao, Domenico
Domenico... you are definitely not insane my friend. your one of the sanest people I know here! Demon disco at it's finest. This song is really a test to make sure you haven't had a stroke!
Steve
Wow! My favorite singer is back!
And what a track!
What you do in the first section is really remarkable: not many people could sing with such a "minimalist" background. You are a real talent!
The second part is a bit more "standard" but very well executed and spot on (maybe a more "fluid" transition at 2:00 could help in "gluing" together the two halves).
I have only complain, but it's a bug one:
I WANT TO HEAR MORE SONGS FROM YOU!
Oh hi my friend! :)
Happy to be back and read from you here & there!
You're right Domenico, this sounds real awkward with these too different parts. I should've worked more on it but I'm so in love with that beautiful song.
Daccordo mi amico, I'll upload more thingies asap.
Take good care,
Kiss & hug,
Carole
Wonderful job!
This song is "repetitive and hypnotic".
Spiv's voice becomes an instrument, with some "tribal" echoes in it.
Your work on the piano is "gentle" and yet "substantial" to the song.
How not to love it...
Thanks guys!
I want now to see a complete album from you two!
Ciao, Domenico
Hi Alex,
This is a beautiful, sad and reflective song.
I like a lot the "creative vocals" from Pat and I have to say that your more "traditional" synth sounds create a wonderful contrast. I mean, the "e-piano" sound you used really gives this song a good vibe.
Liked it ... seriously liked it!
Ciao, Domenico
Thank you so much for your kind comment, I truly appreciate your support.
I must say that I totally transformed the original 'Premonator' to something entirely new but I didn't expect it will turn into something like that as I worked with given material experimenting a lot, I mean: there is an autotune hard processing on vocals and my arrangement is very different from Spivkurl's version (it will be published at some point if the future as well!). I am still learning how to record real synthesizers (I've used Roland JunoDi and Arturia Microbrute exclusively for creating all instrumental parts of this song). I didn't actually use any of 'epiano' sounds but a combination of acoustic piano and string pad. For now I am still by presets but I think I should find more time to create my own patches soon. I will be definitely expanding my synth sound in the future.
Very good track.
One of your best works (IMHO).
Distinctive Evisma-Sound. Well thought "interactions" between guitars tracks.
And a nice melodic touch (guitar or synth?)
Ciao, Domenico
PS: the "cymbal-fade-in" in the ending is a thing of beauty.
Dear MrSilverman,
This track is of good quality, no doubt about it.
The "hammering rhythm" of the synth bass delivers well the idea of people marching. The synth arpeggios are keeping the listener "awake" and building the right amount of tension.
The change in the final section, with the (real?) guitar comes in at the right moment.
I am not sure that WarPigs could fit here... but it would be an interesting experiment (unfortunately I cannot help you, I cannot sing at all).
Thanks for sharing your music with us.
Ciao, Domenico
Hi Pat,
Listened to this on a sunny Thursday ... and it works very well! ;-)
Outstanding track:
- the bass line is a real highlight!
- drums are simply perfect
- your solo work is brilliant!!!!!
You manage to solo for 8 minutes on a simple sequence of chords and it never gets boring. WOW!
The sound of sax and guitar is very good: in some parts it could be mistaken for the "real thing".
Once more a prove that you are a super musician.
Ciao, Domenico
Thanks for the kind words. The drums were actually dubbed from my keyboard. It took a lot mixing to create a real drum sound. I couldn't find a proper slow 6/8 blues drum loop so I just settled for the keyboard drums.
Dear MrEvisma,
I listened already twice to your nice song: I like it!
It has a strong "medieval" appeal in certain sections...I will not say that it reminds me of Jethro Tull, but actually it does :-)
Good guitar sound (it seems the "guitar version" of your bass sound... liked it).
Not so fond of the bass sound in the first part (~0:24) but it works perfectly in this context (will I ever find the courage to record a distorted bass in one of my songs? I strongly doubt it...)
Tons of good riffs. The interaction between bass/guitar seems very "well studied". (Crimson-ish I dare say). Good .
The song is not too long but very dense.
I don't like the marimba (...and who cares? could you answer)
I like the "synth sound" (with such a cool name...)
Overall: I liked this song a lot.
faved
Ciao, Domenico
I do not have any guitar effects or anything like that. I have my Line6 Bass PodXT Live and that's it. That may explain the tones, but yeah, It's still my playing and I pretty much just to layered lead lines.
"I don't like the marimba"
Understood. I like the way they bring a happy vibe to whatever I put them in. I see how people would not agree though.
Wonderful atmosphere on this one.
The "longest intro of the history" works very well :-)
Well done guys!
No I have to go and listen to part 2 ...
Ciao, Domenico
Hi MrNomad,
I am probably 9k years to young as well...if we measure ourselves in millenniums probably we are "almost the same age". Nice title...
The intro is amazing: love these drums (hip-hop? I wish hip-hop music had this type of drums...)
First "short solo" is sweet (due to the chorused sound): liked it.
Bass riff ~2:12 is a good one: catchy at the right point.
At 3:30 the bass gets "bassier": the riff is bit "lost" but the line really sets the atmosphere for the next section.
I like the "muted guitar chords" ~4:00 (not sure it is really a guitar...but it sounds similar to this).
The "synth" bass ~4:50 is a nice change: good intro for the resonator solo (according to the law in NomadLand...funny).
Clever use of the delay ~6:20: simple riff but with the repeated notes it gets "spacier".
Killer bass riff ~6:50 (simple but effective).
At 7:50 we get a change in the pace: honestly I was expecting it since I have seen the waveform... exactly what the song needed at this point. Well done.
And now a nice "relaxing section" which sets the scene for the distorted guitar part (which is a bit "too short" in my humble opinion).
Dreamy synth pads...and we come to the end...
Good. Very good (IMO 9.5/10 ... almost a perfect song).
Again a fav for you.
Ciao, Domenico
Sorry for the slow reply - I haven't been using the site much this week.
Only Evisma really knows what the title is about. It's a fun one I didn't come up with but borrowed from someone else on the site.
Yes, nice opads in the intro and then we get some lead bass backed by programmed hip hop drums. Hip hop does have drums exactly like that. I'm using the Hip Hop EZX there, which I've used a lot in the last 6 months. Probably not really your sort of drum EZX but I like it.
"Bass riff ~2:12 is a good one"
If you listen closely, you can hear that lots of the bass guitar parts are layered so sometimes two lines playing either the same thing or sometimes quite different things. And there's often synth bass underneath too as my low end from my bass guitar these days is really bad (must get it fixed or buy another one).
"I like the "muted guitar chords" ~4:00"
That's a VST guitar with various effects on it that I use quite a lot in this. I like it.
""synth" bass ~4:50" seems to be popular with other people as well. A powerful sound.
" Clever use of the delay ~6:20"
Yes - I knew I needed some sort of key change or new chord progression. Lots of delay on the guitar part and I like the way it moves higher.
"Killer bass riff ~6:50 (simple but effective)."
That's only there as a way of giving the listener a rest from all the lead work and as I prepare to move into the next section.
"7:50 we get a change in the pace"
Yes - there's a drumless break and then some fast sort of psychedelic jazz (now that I've changed key). Listen to the drums and you can hear they're hip hop ones.
"And now a nice "relaxing section"
Chillout lead bass guitar work to go with the trippy vocal synth part.
I will go back and try to make the "distorted guitar part" (not guitar, just bass) longer. Valvedriver thought the same thing and I kind of agree.That might be the coolest part in the track.
"Dreamy synth pads"
Maybe I will make that section shorter so not return to the same intro.
Thanks for the 9.5. I wonder what I would have to do to get a 10, or if I ever have. If so, I wonder which track you think is a 10.
Hi MrMosaic,
Good song. Very good work on the flute.
It flows nicely and adds a "70s" touch to the song which I like a lot (don't ask me why, but whenever I think to "funk" my minds automatically goes back to the 70s...)
"Bass-Drum" locking issue: probably yes... the loops don't match perfectly.
One interesting comment (close to what MrUrbanShokker mentioned in point 4): I just returned from a jam-sess with my "drummer of choice" and I was commenting with him on a funky riff which we played for almost 10 minutes.
I told him: "to make a cool funk riff, I think of a riff and then I start removing notes until I let the bare-bones of the riff stand out"
So yes: specially from a bass point of view, funk is "removing the un-necessary" and let the riff shine in its beauty! :-)
Thanks again for sharing the song with us: beside my "un-needed" comments the song is good.
Looking forward to hearing a new version which will be "perfect" :-)
Ciao, Domenico
Mate thank you for a great in-depth review of this one, listening back to it again just now, agree the bass not meshing well (or could be better) with the beat, plus couple of other elements could combine better, will look at this one again in the near future, but not just yet, if going back to it too soon will stuff track up, something I don't want to do, which I seem to do lately :(
Killed hundreds of decent tracks trying to make them better, so now learn to give some breathing space before going back to look at them, again many thanks friend, so much appreciated...Peace n Respect...Mos...
Funky pleasant track.
Good bass riff.
Guitars are really on spot: probably they are the main-actor here.
Impeccable drum work, as usual ... may I add ;-)
Ciao, Domenico
Hi MrEvan,
I liked this song. Very good.
Couple of critiques:
- not so fond of the "muted" notes played in the intro, would like them to sound differently (more fx maybe?)
minor thing, they are not very loud in the mix
- the intro (up to 0:55) is lacking some "deep freqs"; the bass in this section is a bit thin (maybe this is exactly what you wanted to get)
...and now some "highlights":
- "wha" riff at ~1:27 it's pure genius. Short but I loved it!
- the "main riff" (e.g. at 0:55) is a killer one! Liked it a looooot!
- layered bass "arpeggio" (e.g. at 1:04) is a typical MrEvan trade mark. I already told you a 1,000 times. I like your way of playing and your sound.
- very pleasant guitar work...and the guitar is always clean yet the result is a rock song!
"- not so fond of the "muted" notes played in the intro, would like them to sound differently (more fx maybe?)
minor thing, they are not very loud in the mix"
Are they a bit clunky sounding? I don't think there is a single effect on them so I can see what you mean. I'll mess with them a bit, and bring them forward more.
"- the intro (up to 0:55) is lacking some "deep freqs"; the bass in this section is a bit thin (maybe this is exactly what you wanted to get)"
I believe that I still have the "scratch" bass track in there. It was meant to be built around, then replaced, but I see now that I forgot and got used to the sound. Thank you for hearing that, I intended to replace it,... and now I will.
"the guitar is always clean yet the result is a rock song"
I can't get any distortion that I like. Everything sounds cheap and tinny or buzzy or like a synth. I need meaty chunkiness, and I get skinny zingy sounds. I'll need some tube preamping, at least that's my plan!
Wonderful track.
This synth-bass is simply too good: with such groovy synth bass lines who is going to need real bass players anymore?
Me Sad :-)
As already pointed out by MrMatt: the solo is really "perfect". Professional guitar sound, this solo is the "icing on the cake" on an already very good song.
It would be interesting to hear somebody adding a vocal part to this.
Kudos to you and My03: you are a "dream team"!
Ciao, Domenico
on Tang Butterfly World by DanGoldstein
maybe the connection with the butterfly is not so "obvious": we usually regard them as more "ethereal".
but in general is a very interesting piece of music.
you never cease to create new things... good!
But I am happy if I conveyed someething of the butterfly's perspective on her world. Thanks for your listen and considered comment mr. wolf.
on RnB instrumental by kossabeats225
sound is very "clean" and well produced.
I can see that you left a good amount of "space" for a vocal part. I am sure that with the right vocals this good become a good hit.
Good work!
Ciao, Domenico
PS: just curious, which plugin have you used for the "guitar-like" sound?
on You Are Never Alone by Spivkurl
Good track man!
Lot of "devo echoes" in the chorus.
Liked it.
Keep your "disturbing" music coming!
You know that's what we want from you!
Ciao, Domenico
on The 9th Planet by Planetjazzbass
Very tasteful and "groovy" bass lines.
Outstanding work on the guitar: bluesy and "flowing". Liked it.
Overall... good atmosphere and a very pleasant track.
Enjoyed.
Ciao, Domenico
on Player Feat Mr Wolf on bass by midiman007
Balanced and enjoyable: impeccable arrangement and mixdown. My favorite part is the "really-funky" guitar at the end of the song.
Very effective!
Liked it!
Ciao, Domenico
on The wild warrior by joecramer
Good to hear this!
I watched the pictures of the observer... the first one is my favorite. And I think it describes well the mood of this track: a bit uneasy, with a touch of "real madness". Good!
Definitely you are not a boring artist.
Thanks for sharing your music with us!
Ciao, Domenico
PS: the German parts make the song even more "edgy"
nice to read something from you.
Good to know that you think that i don't make boring stuff
and also nice to know that you could enjoy, in a way, the observers to this track.
When i was working on this one i had the idea to mix the english and german parts every line but the sound of this two different parts are to different (in my ears) and so i did it in that way you found it here.
And, not you have to thank me that i share this stuff with the comunity, i have to thank you and the rest of the comunity that you take some time and listen to my kind of music.
Comments like yours are the reason why i share my art.
So thanks a lot for your kind words.
stay tuned
joe
on Feelin Good by Diskonnect
what "cellardoor" said.
Cool track man!
Ciao, Domenico
PS: I also agree with Danke, the sax sound could be improved and bring the track to a whole another level.
Or you could go for something different (sax is one of the hardest thing to mimic with a synthesizer)
PPS: what a boring man I have become... I just second what others say... too bad :-(
on I know you are Insane by crucethus
I must be insane... how did you know it? :-)
Hope all is well...
Ciao, Domenico
Steve
on Ederlazi home made version by janis71
And what a track!
What you do in the first section is really remarkable: not many people could sing with such a "minimalist" background. You are a real talent!
The second part is a bit more "standard" but very well executed and spot on (maybe a more "fluid" transition at 2:00 could help in "gluing" together the two halves).
I have only complain, but it's a bug one:
I WANT TO HEAR MORE SONGS FROM YOU!
:-)
Ciao, Domenico
Happy to be back and read from you here & there!
You're right Domenico, this sounds real awkward with these too different parts. I should've worked more on it but I'm so in love with that beautiful song.
Daccordo mi amico, I'll upload more thingies asap.
Take good care,
Kiss & hug,
Carole
on whatsGoing by Spivkurl and promenade by promenade2239
This song is "repetitive and hypnotic".
Spiv's voice becomes an instrument, with some "tribal" echoes in it.
Your work on the piano is "gentle" and yet "substantial" to the song.
How not to love it...
Thanks guys!
I want now to see a complete album from you two!
Ciao, Domenico
on Premonator with Spivkurl Promenade Mix by promenade2239
This is a beautiful, sad and reflective song.
I like a lot the "creative vocals" from Pat and I have to say that your more "traditional" synth sounds create a wonderful contrast. I mean, the "e-piano" sound you used really gives this song a good vibe.
Liked it ... seriously liked it!
Ciao, Domenico
Good to see you again.
Thank you so much for your kind comment, I truly appreciate your support.
I must say that I totally transformed the original 'Premonator' to something entirely new but I didn't expect it will turn into something like that as I worked with given material experimenting a lot, I mean: there is an autotune hard processing on vocals and my arrangement is very different from Spivkurl's version (it will be published at some point if the future as well!). I am still learning how to record real synthesizers (I've used Roland JunoDi and Arturia Microbrute exclusively for creating all instrumental parts of this song). I didn't actually use any of 'epiano' sounds but a combination of acoustic piano and string pad. For now I am still by presets but I think I should find more time to create my own patches soon. I will be definitely expanding my synth sound in the future.
I am happy you liked the song. Thank you again.
Best, Alex
on Doobie Juice by Evisma
One of your best works (IMHO).
Distinctive Evisma-Sound. Well thought "interactions" between guitars tracks.
And a nice melodic touch (guitar or synth?)
Ciao, Domenico
PS: the "cymbal-fade-in" in the ending is a thing of beauty.
Guitars are all real, but there is synth in here in the verses. Thanks for the listen and your thoughts.
Take care.
Evan
on To War by silverman
This track is of good quality, no doubt about it.
The "hammering rhythm" of the synth bass delivers well the idea of people marching. The synth arpeggios are keeping the listener "awake" and building the right amount of tension.
The change in the final section, with the (real?) guitar comes in at the right moment.
I am not sure that WarPigs could fit here... but it would be an interesting experiment (unfortunately I cannot help you, I cannot sing at all).
Thanks for sharing your music with us.
Ciao, Domenico
I think you're right about War Pigs ... just me getting a bit to adventurous I think.
on Stormy Monday Blues by PDMuzak
Listened to this on a sunny Thursday ... and it works very well! ;-)
Outstanding track:
- the bass line is a real highlight!
- drums are simply perfect
- your solo work is brilliant!!!!!
You manage to solo for 8 minutes on a simple sequence of chords and it never gets boring. WOW!
The sound of sax and guitar is very good: in some parts it could be mistaken for the "real thing".
Once more a prove that you are a super musician.
Ciao, Domenico
on Objective Focus by Evisma
I listened already twice to your nice song: I like it!
It has a strong "medieval" appeal in certain sections...I will not say that it reminds me of Jethro Tull, but actually it does :-)
Good guitar sound (it seems the "guitar version" of your bass sound... liked it).
Not so fond of the bass sound in the first part (~0:24) but it works perfectly in this context (will I ever find the courage to record a distorted bass in one of my songs? I strongly doubt it...)
Tons of good riffs. The interaction between bass/guitar seems very "well studied". (Crimson-ish I dare say). Good .
The song is not too long but very dense.
I don't like the marimba (...and who cares? could you answer)
I like the "synth sound" (with such a cool name...)
Overall: I liked this song a lot.
faved
Ciao, Domenico
"the "guitar version" of your bass sound"
I do not have any guitar effects or anything like that. I have my Line6 Bass PodXT Live and that's it. That may explain the tones, but yeah, It's still my playing and I pretty much just to layered lead lines.
"I don't like the marimba"
Understood. I like the way they bring a happy vibe to whatever I put them in. I see how people would not agree though.
Thanks for the listen and the kind words.
Evan
on Ghosts Of Glencloy by Orlando51
The "longest intro of the history" works very well :-)
Well done guys!
No I have to go and listen to part 2 ...
Ciao, Domenico
So see ya at part 2...:)
Orlando
on Daze of the Weak by PDMuzak
on Tripwire Valley by Evisma
on 9000 Years Too Young by StaticNomad
I am probably 9k years to young as well...if we measure ourselves in millenniums probably we are "almost the same age". Nice title...
The intro is amazing: love these drums (hip-hop? I wish hip-hop music had this type of drums...)
First "short solo" is sweet (due to the chorused sound): liked it.
Bass riff ~2:12 is a good one: catchy at the right point.
At 3:30 the bass gets "bassier": the riff is bit "lost" but the line really sets the atmosphere for the next section.
I like the "muted guitar chords" ~4:00 (not sure it is really a guitar...but it sounds similar to this).
The "synth" bass ~4:50 is a nice change: good intro for the resonator solo (according to the law in NomadLand...funny).
Clever use of the delay ~6:20: simple riff but with the repeated notes it gets "spacier".
Killer bass riff ~6:50 (simple but effective).
At 7:50 we get a change in the pace: honestly I was expecting it since I have seen the waveform... exactly what the song needed at this point. Well done.
And now a nice "relaxing section" which sets the scene for the distorted guitar part (which is a bit "too short" in my humble opinion).
Dreamy synth pads...and we come to the end...
Good. Very good (IMO 9.5/10 ... almost a perfect song).
Again a fav for you.
Ciao, Domenico
Sorry for the slow reply - I haven't been using the site much this week.
Only Evisma really knows what the title is about. It's a fun one I didn't come up with but borrowed from someone else on the site.
Yes, nice opads in the intro and then we get some lead bass backed by programmed hip hop drums. Hip hop does have drums exactly like that. I'm using the Hip Hop EZX there, which I've used a lot in the last 6 months. Probably not really your sort of drum EZX but I like it.
"Bass riff ~2:12 is a good one"
If you listen closely, you can hear that lots of the bass guitar parts are layered so sometimes two lines playing either the same thing or sometimes quite different things. And there's often synth bass underneath too as my low end from my bass guitar these days is really bad (must get it fixed or buy another one).
"I like the "muted guitar chords" ~4:00"
That's a VST guitar with various effects on it that I use quite a lot in this. I like it.
""synth" bass ~4:50" seems to be popular with other people as well. A powerful sound.
" Clever use of the delay ~6:20"
Yes - I knew I needed some sort of key change or new chord progression. Lots of delay on the guitar part and I like the way it moves higher.
"Killer bass riff ~6:50 (simple but effective)."
That's only there as a way of giving the listener a rest from all the lead work and as I prepare to move into the next section.
"7:50 we get a change in the pace"
Yes - there's a drumless break and then some fast sort of psychedelic jazz (now that I've changed key). Listen to the drums and you can hear they're hip hop ones.
"And now a nice "relaxing section"
Chillout lead bass guitar work to go with the trippy vocal synth part.
I will go back and try to make the "distorted guitar part" (not guitar, just bass) longer. Valvedriver thought the same thing and I kind of agree.That might be the coolest part in the track.
"Dreamy synth pads"
Maybe I will make that section shorter so not return to the same intro.
Thanks for the 9.5. I wonder what I would have to do to get a 10, or if I ever have. If so, I wonder which track you think is a 10.
Thanks again, take care.
on i can close my eyes and see by domr30
The voice adds a nice touch.
Good work as usual: liked the track.
Ciao, Domenico
on The Funk by Mosaic
Good song. Very good work on the flute.
It flows nicely and adds a "70s" touch to the song which I like a lot (don't ask me why, but whenever I think to "funk" my minds automatically goes back to the 70s...)
"Bass-Drum" locking issue: probably yes... the loops don't match perfectly.
One interesting comment (close to what MrUrbanShokker mentioned in point 4): I just returned from a jam-sess with my "drummer of choice" and I was commenting with him on a funky riff which we played for almost 10 minutes.
I told him: "to make a cool funk riff, I think of a riff and then I start removing notes until I let the bare-bones of the riff stand out"
So yes: specially from a bass point of view, funk is "removing the un-necessary" and let the riff shine in its beauty! :-)
Thanks again for sharing the song with us: beside my "un-needed" comments the song is good.
Looking forward to hearing a new version which will be "perfect" :-)
Ciao, Domenico
Mate thank you for a great in-depth review of this one, listening back to it again just now, agree the bass not meshing well (or could be better) with the beat, plus couple of other elements could combine better, will look at this one again in the near future, but not just yet, if going back to it too soon will stuff track up, something I don't want to do, which I seem to do lately :(
Killed hundreds of decent tracks trying to make them better, so now learn to give some breathing space before going back to look at them, again many thanks friend, so much appreciated...Peace n Respect...Mos...
on Funky Funky Fannie by ScottB55
Good bass riff.
Guitars are really on spot: probably they are the main-actor here.
Impeccable drum work, as usual ... may I add ;-)
Ciao, Domenico
Cheers,
Scott
on The Truth - Featuring Patricia Edwards by Musicante
Really nothing else can be said here.
Thanks to you all for delivering such beautiful track.
Ciao, Domenico
Ciao,
M.
on Haunted Sunshine by Evisma
I liked this song. Very good.
Couple of critiques:
- not so fond of the "muted" notes played in the intro, would like them to sound differently (more fx maybe?)
minor thing, they are not very loud in the mix
- the intro (up to 0:55) is lacking some "deep freqs"; the bass in this section is a bit thin (maybe this is exactly what you wanted to get)
...and now some "highlights":
- "wha" riff at ~1:27 it's pure genius. Short but I loved it!
- the "main riff" (e.g. at 0:55) is a killer one! Liked it a looooot!
- layered bass "arpeggio" (e.g. at 1:04) is a typical MrEvan trade mark. I already told you a 1,000 times. I like your way of playing and your sound.
- very pleasant guitar work...and the guitar is always clean yet the result is a rock song!
Liked this song. Very good.
Ciao, Domenico
"- not so fond of the "muted" notes played in the intro, would like them to sound differently (more fx maybe?)
minor thing, they are not very loud in the mix"
Are they a bit clunky sounding? I don't think there is a single effect on them so I can see what you mean. I'll mess with them a bit, and bring them forward more.
"- the intro (up to 0:55) is lacking some "deep freqs"; the bass in this section is a bit thin (maybe this is exactly what you wanted to get)"
I believe that I still have the "scratch" bass track in there. It was meant to be built around, then replaced, but I see now that I forgot and got used to the sound. Thank you for hearing that, I intended to replace it,... and now I will.
"the guitar is always clean yet the result is a rock song"
I can't get any distortion that I like. Everything sounds cheap and tinny or buzzy or like a synth. I need meaty chunkiness, and I get skinny zingy sounds. I'll need some tube preamping, at least that's my plan!
Take care.
Evan
on My03 - Midiman007 - Stereophonic Sounds 80 and 90 by midiman007
This synth-bass is simply too good: with such groovy synth bass lines who is going to need real bass players anymore?
Me Sad :-)
As already pointed out by MrMatt: the solo is really "perfect". Professional guitar sound, this solo is the "icing on the cake" on an already very good song.
It would be interesting to hear somebody adding a vocal part to this.
Kudos to you and My03: you are a "dream team"!
Ciao, Domenico
My03 really out did himself on this one. He is such a talented musician. This is no offence to anyone here.
Talk care and I hope all is well with you and your family.