deepstruck

Description : A modded Atari Punk Console circuit with the PW, Wave, and tuning modulated via its own two saws, the PW and mixed wave outs - sent through three successive sallen-key filters and a peak limiter.

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Description : Here's a simple house loop.

Description : A short snare build up. The snare is comprised of red, pink and white noise EQ'd, saturated and compressed. I added some ping pong delay, automated the pitching, threw on a high pass and automated the freq, put some automated reverb in there and included a side chained noise riser.

Description : Here's a simple disco funk bass line recorded DI on an LTD J-205. I put a little EQ and compression on it. Nothing to fancy.

Description : A five step arp, a seven step arp and an eight step arp tuned between three octaves and quantized. I used three clock signals that were subsequently split into six signals and sent through individual bernoulli gates which were toggled back and forth off of three, dual input sequential switches - each switch was triggered by the last step of each clock divider and the switch outs were attached to their respective arps' "step reset" inputs.

Description : 3 sine waves, one mixed with 6% of a saw wave and pitched down. A comb filter was used for another sine. All audio had differing amplitude envelopes modulated by three synced lfos - two of which were attenuated and sent through slew limiters. Those two modulated lfo signals were then delayed with mutes then unmuted by differing modulated gate signals triggered by different sources. Light EQ, wavefolding and saturation as well as an ms20 low pass filter was used.

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Description : Blue and white noise mixed with an AHD envelope on the amplitude - A clock divider sent select gate signals that were split into two adjustable bernoulli gates then subsequently mixed and sent to the gate of the AHD envelope. The final output was sent through a steiner-parker high pass filter and Alright Devices "Chronoblob2" (a delay module) while it was synced with the clock.

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Description : For this synth I used three Befaco Even Vcos. Each VCO set to different octaves, outputting square, triangle and saw waves, all mixed distinctively.

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Description : Blue, white and gaussian noise send through a five band eq - signal was then split through three steiner-parker filters, a HP, LP and BP, each being lightly filtered through three separate comb filters with those signals, being sent through three separate amplitude envelopes, then mixed and sent through a 50% wet reverb with short decay.

Feel free to cut this however you'd like.

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Description : This was made of white, pink and red noise summed then equalized through an 8 band EQ. Put through two band pass and two high pass filters - then sent through 4 separate amplitude envelopes with variations. This was sent through a reverb with low decay and a 5% wet signal, then a comb filter, then saturated and compressed.

Feel free to cut this however you'd like.

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Description : For the transient, I used filtered gaussian noise with a very short and snappy envelope placed on the amplitude. Then used three oscillators - Two sine waves, slightly detuned from each other and a filtered square wave. All with slightly differing amplitude envelopes.

Feel free to cut this however you'd like.

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Description : Here's a simple synth bass with four oscillators being sent through varying wave table adjustments. Three of the oscillators have their frequencies being mildly adjusted by MS20 low pass filters with differing envelopes being controlled by an lfo synced at 1/12 the speed of the bpm. Finally, the audio has saturation applied with a very small amount of clipping and wave folding.

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