Description : Lyrics & voice: Leahcim (Chicago)
Beats: MrE (Orlando)
Me: Bass, keyboards, guitar & effects
This is a work in progress...
This funk track was uploaded by RitsLong. They retain full copyright and you are only entitled to listen and in some instances download. For further details on how you can use tracks see the terms and conditions and the tracks section of the help area.
Comments (4)
If you have time take a listen and give RitsLong some feedback.
No problem. It's kind of an exercise and challenge for me to work out what I like about a track and then try to determine what could be improved. And then see if I can express that in any helpful way. I have to do this stuff constantly with my own music.
Careful about contracting me to be the producer. I don't think you've heard any of my productions yet!
I checked out your profile briefly and it turns out we have a couple of things in common. I am also a Cubase user and have been using the Boss GT-5 since I got it in 1998. I mostly just use a few settings but all my guitar and bass goes through it.
I'd actually like to switch to pure software guitar effects and record with none on. Then I can automate them all afterwards and really, really vary my guitar sound and movement as the track requires.
These days, I rarely record with delay. I add it afterwards because it makes it much easier to chop up guitar parts (I do that a hell of a lot) if there's no delay. I also like to sometimes automate the feedback on the delay to make single notes ring out for longer as they decay away.
So many tracks of mine I could recommend featuring prominent GT-5 guitar tones. One mega blues one would be Thousand Ball Blues. There are some good tones and playing on that.
Hey, no problem, man. My comment was actually quite a short one from me. I generally go into more detail, with specific time references etc
I've listened again and still think you need some other sort of change and quite possibly an instrumental break section. Could be an opportunity for the bass to break out and do more of a solo. Also, good opportunity for the drums to do more. If you could program up some more fills and move away from the drum loops, that would give it a lift.
Just moving the drums to the ride cymbal would give it a lift and also the opportunity to drop back down into that hat verse, something people always like when it's done well.
I also think the slight monotony here comes from the bass always dropping back down into the same funky verse pattern. You could work out how to play the same notes/follow the same chords in a different way, which would make a difference.
This sounds quite classic but if you look to do something a bit more unusual, you could really make this track stand out. It's got a classic vocal on it and all the other elements are good. When you've got those things, you should be trying to think how you can bring in unexpected (but still somehow appropriate) elements to make the whole thing more distinctive.
That's what I try to do. But some people like classic and are good at it so please choose what feels right to you.
I'm impressed with your review and, let me say, we agree on almost everything. Actually this is a pretty raw work and we both had plans to work on it until we reached a higher level of satisfaction. But, we never did... blame it on procrastination!
Anyway, if we ever get back to this project, I will contract you to be the producer!
Good work. I instantly liked this. Lots of people won't be able to resist that bass.
Good vocals and I particularly like the first phrase eg "Thinkin' about".
Good key change though I guess it's necessary so that the bassline doesn't get boring.
Some useful wah guitar chords.
This is one laidback lounge funk groove.
Maybe something missing from it is some sort of proper change or breakdown or guitar solo or similar. It sort of feels quite long even though it's only 3.5 mins.
Description : 'Love will find you at the right time'...This track is about how we vibrationally attract love. From my recollection, in the early 20s/teen years, a typical place to encounter this wonderful force was the Disco. (Kay)
'I always wanted to produce a funk and soul song, as I love the rhythms and vibe. I hope you like my first attempt at this. Many thanks to Darren Hirst for his great bassline' - Oli.
If you like our work, please find us under kayos2 on Bandcamp.
So, Do you wanna Dance?!
Description : This is kinda like a funky electro acoustic type thing. Definitely our funkiest piece yet, trying to explore a few different genres here, hopefully you enjoy it! :)
Description : I'm try something a lilbit defferents hope you enjoy & Keep on PLAY! Made on MixCraft 8Pro... (THIS IS FREE DOWNLOAD & USE FOR NON-COMMERCIAL... IF YOU WANT IT FOR COMMERCIAL USE YOU CAN BUY A LICENSE IN beatstars.com/gotyurbanmusic or contact me to my email..)
Description : Continuing my journey with sampling. This was mostly an accident, and not where I originally thought it would go but I'm happy with the destination. I started with the track Real Reel Switcher by Eunice Russ Frost, which has a slower melancholy swing to it, however I've been playing a bunch of older video games lately, with SSX being in the mix heavily, so this track ended up taking on a bit of that for inspiration as well. Would love your thoughts.
peace -._.-
-BN
Description : A Dark Funk tune , with a touch of Nawlin's jazz funeral procession. Midi-sparks asked me to do a Halloween song for his competition, and so here it is!
Description : Updated 12/2/2022. This is an interesting redo of a funky and fun composition. I gave it more polish by switching to a different drum kit, swapped the flute solo for a synth, then infused more flavor into the guitars, bass and organ. Then lastly tweaking the final master. Can you tell the difference? Let me know. Enjoy.
Description : This is the first production for STAR TRAVELS in collaboration between MICKY (LM) and JYNXZ (LM).
Micky: concept / arrangement / guitars / synths / fx / vocals / mix / mastering
Jynxz: synths / bass / rhodes / clavinet
Description : Everything is recorded live, so you probably hear that. It's also all me :$
Thanks to everyone who contributed in explaining what I did wrong in the engineering, mixing and mastering, especially Ben (bringerofDOOM). Looperman is truly an awesome community and thank you all. Did I say you guys are awesome?
==============
Now also with a clip on youtu.be/ydQiJAV3DX0 !
Description : free to use i actually posted on facebook for free use so im posting here for free use send me the link if u record on it thankss https://www.youtube.com/watch?v=5Dy8dl5OsHY
Brazilian Money Productions
Mark
Careful about contracting me to be the producer. I don't think you've heard any of my productions yet!
I checked out your profile briefly and it turns out we have a couple of things in common. I am also a Cubase user and have been using the Boss GT-5 since I got it in 1998. I mostly just use a few settings but all my guitar and bass goes through it.
I'd actually like to switch to pure software guitar effects and record with none on. Then I can automate them all afterwards and really, really vary my guitar sound and movement as the track requires.
These days, I rarely record with delay. I add it afterwards because it makes it much easier to chop up guitar parts (I do that a hell of a lot) if there's no delay. I also like to sometimes automate the feedback on the delay to make single notes ring out for longer as they decay away.
So many tracks of mine I could recommend featuring prominent GT-5 guitar tones. One mega blues one would be Thousand Ball Blues. There are some good tones and playing on that.
I've listened again and still think you need some other sort of change and quite possibly an instrumental break section. Could be an opportunity for the bass to break out and do more of a solo. Also, good opportunity for the drums to do more. If you could program up some more fills and move away from the drum loops, that would give it a lift.
Just moving the drums to the ride cymbal would give it a lift and also the opportunity to drop back down into that hat verse, something people always like when it's done well.
I also think the slight monotony here comes from the bass always dropping back down into the same funky verse pattern. You could work out how to play the same notes/follow the same chords in a different way, which would make a difference.
This sounds quite classic but if you look to do something a bit more unusual, you could really make this track stand out. It's got a classic vocal on it and all the other elements are good. When you've got those things, you should be trying to think how you can bring in unexpected (but still somehow appropriate) elements to make the whole thing more distinctive.
That's what I try to do. But some people like classic and are good at it so please choose what feels right to you.
Anyway, if we ever get back to this project, I will contract you to be the producer!
Cheers mate and thank you again!
Good vocals and I particularly like the first phrase eg "Thinkin' about".
Good key change though I guess it's necessary so that the bassline doesn't get boring.
Some useful wah guitar chords.
This is one laidback lounge funk groove.
Maybe something missing from it is some sort of proper change or breakdown or guitar solo or similar. It sort of feels quite long even though it's only 3.5 mins.