I Will Have You Destroyed

19th Dec 2016 19:35 - 9 years ago

291 7 0 7

I Will Have You Destroyed - Fusion track by Evisma

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19th Dec 2016 19:35 - 9 years ago

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Fusion

8.01 MB

Description : First track using Superior Drummer, and a return back to the glorious bass guitar. We start off with acoustic pleasantries, and build to darker things. Frog guiro, darkish choir, legato strings, flute and a weebit of bit-crushed guitar make appearances. Let me know what you think of it. I'm open to thoughts, criticism and ideas.

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Comments (7)

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StaticNomad 6th Jan 2017 21:06 - 9 years ago

Heavily delayed regreetings.

But you can't be surprised as you know I'm rather into delay. With the setting I'm using here, it takes about two weeks to hear any repeated notes. So it's best suited to tracks at least a few weeks in length.

Excellent 'Nomad destruction' answer. One of your very finest lengthy bits of creative writing. Thoughts:

1) Shit To Death could be a track title.

2) The butler will accept the hand-job but probably won't go through with the offing.

3) That might work. Well, it would if I didn't have various delay plugins.

4) I probably don't actually smell of Guiness or honey mango so the carefully trained attack rats will probably just head for a Guiness factory. Or mango plantation.

5) I can't say how many scruffy white Alexes there are in the UK. I'm sure we get about so probably many more than 7. Bring lots of ammo as it's damn hard to get over here.

6) That's a cunning plan. I guess this means that if/when I do meet some fantastic, Nomad-completing female, I will always be suspicious that she's really just an Evanator agent. In your cruelty, you will always deny it if I ask. Sorry to hear something like that happened to you. But that's what you get if you date Tally Pruit so it's also kind of your own fault.

Back to the track:

1:40 has an odd, metallic, rubbing bass tone. Pretty cool.

2:11 sounds like a synth but I doubt it. Aha - maybe that's bitcrushed guitar.

2:42 good, huge reverbed bass tone.

This is sitting, grooving away nicely. Irish prog chill jig is the genre name.

3:13 nice legato strings to add some depth.

Watery fadeout ending is good. No complaints.

Still Intact Nomad, smiling and dropping the cliche

Neomorpheus 22nd Dec 2016 22:27 - 9 years ago

This is a killer track Evan, so the name is very appropriate. I love the Celtic flavoring you are able to produce. The acoustic intro is so Renaissance festival, I'm instantly picturing the ample bouncing breasted wenches and smelling the Turkey Legs and mead. But then this quickly melds into a shifting cacophony of suspenseful interlude which is quite masterfully composed. That sharply toned bass is so wicked along with the flute and (are those guitar?) plucks. Nice tension building here and then the addition of percussion and choir really pumps up the production value. The second half continues the bass driving groove with some segmented percussion to sustain the tension. I have to complement you on the drum work through out the track bro. It really put this on a much higher level percussion wise than I believe you have been before. My only critique with the track would be to point out there at 2:43 the guitar and bass are seemingly battling for space a bit, not sure if its volume or separation that's the issue, and its a very minor one to say the least. The orchestrated synth that kicks in to start the outtro is very cool and just puts the finishing touch on this amazing piece. Your really raising the bar with stuff like this Evan. Seriously.

Evisma replied 5th Feb 2017 - 9 years ago

Greetings, good sir.

I'm very happy you liked this one. Sorry for my late response. Ah, my track evokes titties and intoxicating beverages in the mind. These things are all good.

"...(are those guitar?) plucks."

Yes, high up on the neck of the acoustic I'm about to part with. I don't record much with my mic, but my crappy little acoustic Squier has been in several things.

"....there at 2:43 the guitar and bass are seemingly battling for space a bit...."

Here is where I call complete and total bullshit on you,.... because it's all bass. (I win!) The lead and the backing are both bass guitars, and I'll bet they're going through the same pickup configuration on both parts. Good ears. They don't get along because I usually roll the blend pot on my bass a touch for recording different parts to separate their tone. So yes, you are correct. They probably are fighting for space since they're the same instrument.

Thanks for the listen, and the feedback. I've got a new one now that is heavier and lighter. Using amp sims out the wazoo!

Take care.

Evan

StaticNomad 20th Dec 2016 01:58 - 9 years ago

Destructive greetings, glorious bass g wielder.

I will have you know that you will not have me destroyed. But it's interesting that you're so confident about it. For a start, I doubt you'll be able to find my secret lair. But if you were to manage it, how do you think you'd do it? Just destroying my good name in the media or actually obliterating my fantastic body? Would you toss me in a car crusher? Brush hog me till I disintegrate? Dynamite up the ass while I sleep?

Now let's get down to mothafuckin' business:

Intro is jaunty, acoustic Irish jigging stuff that maybe fades in a bit too much ie should start at a higher level.

0:15 and we're totally rocking with addition of fat bass and drums. This is good shit.

0:46 that little riff is too cool. It's actually pretty hard to tell what it is. I guess bass g. And the frog guiro is amusing and adds some unusual character.

Some lower bass g gets effectively added and now 1:09 comes the coolest addition, the "darkish choir". That's the kind of additional flavour you need to add to your music.

1:33 I see why ToastMan says Fantasia. Because it's some dreamy, far out soundtrack music. A bit like something Danny Elfman might come up with. You know - the composer who's done loads of scores for Tim Burton. And The Simpsons.

Drums sound great, as I suspected they would. Spivkurl recently said that he wished Superior didn't exist and that it "always sounds like phasing noisy junk". But let's not worry about that negative, weird and irrelevant opinion.

I knew your first track using Superior would have good drums because you've been putting in the practice these last few years with lesser software. Now you can do some nice "phasing noisy junk", your drum quality has gone up a notch. Or three. Actually, hearing this makes me wonder if I should get the Progressive EZX. I now know partly what it sounds like. Good reverb on the drums. It's just a fat sound.

Anyway, I'm running out of words so I'm going to run now and return when you reply to review the second half of this nice track bro.

Undestroyed Nomad, unable to focus on anything but your surrender.