Description : The first track I sing on. Cheap stage mic & no fancy plugins. Heavily guitar laden to the point it's got a bit of a shoegaze thing going on. I pulled the lyrics out of my ass & yes, they're a bit silly.
this is bloody great man, i thought the lyric were excellent, loved the music and those guitars. you should sing some more! for some reason reminded me a bit of the cramps.
I like to freehand the lyrics and make the track to match. I've come up with some wild ones that way. They aren't posted at the moment. In the meantime, you ca check out The Alligator Butt Cries Tonight. You have done a masterful job of creating a goth track. I know a guy who does a good job on I Am Your Dracula. Your lyrics feel pretty slick. I like their out of left field feel. Good job.
vig
Thank you. I'm a big fan of both those bands and have seen both of them live multiple times back in the day. In The flatfield and Floodland are classics. So is Juju but I can't sing like Siouxsie Sioux. That's too bad.
Absolutely loved the hook, got the same vibes as other posters. Also heard a bit of Lou Reed and Rick Ocasek in your vocals and for some reason I kept wanting to shout the Runaways hook "Che-che-che-Cherry Bomb!" and howl like on Warren Zevon's "Werewolves of London". Great job. I'm faving this.
Hey I really like this! Don't be so hard on yourself, this came out good. Cool chord progression, and the vocal is cool. You don't need a lot of nice equipment to make good music, just artistry. You are showing it.
A-fuqin'-mazing! Played twice, fell in love with twice, wondered die killed by goth rock girl (that i know for real) twice, set as a fav tw.. er... once.
In the second listening i paid attention to technical stuff: i think that everything is at the right place. Only thing i argue is about vocals: in some parts seems to be not in tone (but at the same time, this make touchable the feelings of performer). Instrumental are stronger and intense (and is def fine) but vocals are a tad weak. Enhance the brilliance.
Yeah. There's definitely room for improvement on the vocals. I need a better microphone & plugin for that, & practice of course. Thanks for listening. I appreciate it.
Description : -JUST-IN, BREAKING, NEWSFLASH, BREAKING NEWS
renowned R&B Hip-Hop & Rapper dimestop has shocked the music industry with his latest drop, he's produced and singing vocals on a rock track with Rock Megastar Danke.
Rolling Stones magazine say a grammy in the making....hip hop insiders claim he's sold out
snoop dog was reported saying careful that motha fucka rip your heart out
Time Magazine state this is epic
Elon Musk tweeted #he's my Rocket man... more to follow as the story unfolds.
Description : This is my newest creation, at a stage very near to completion. No third-party mastering or mixing, as with all my tracks. Just have to fix a few tiny things. I FINALLY WAS ABLE TO MIX EVERYTHING IN THE SAME SESSION. This song has all human-played instruments - no quantization or MIDI! My brother does all the vocals except for the interlude part, which I do. My other brother plays the rhythm guitar (a Gibson Les Paul Custom - only one of 12 in the world!!) and I play the accompanying guitar (a Johnny Mar Jag and PRS). He has a lot of guitars :P A good friend of ours, Ronnie, plays the bass and another friend, Freddie, plays the drums. The drum track was done in one take (had to use an electric drum set due to time constraints - but acoustic kits are so much better). Overall, pretty satisfied with the result. Let me know your thoughts.
Description : Feel free to check out the lyrics video on YT as well :) This is a new track based on the great vocals by Ashes and Dreams! Again, a mix of electronic/progressive/rock, any feedback is welcome
Description : BIG UPDATE 26/02/2014 - So, this was an 18 min track that I have now successfully split in two. 2nd half I uploaded a few weeks ago (Things That Should Always Be, with the bouncy 2 min reggae intro). This is the first half, which has a new mix, a mega chill, meditative ending and a little jazz thrown in for good measure. Takes a few minutes for beat to really kick in. Constantly evolving electric guitar, bass guitar, acoustic drums and lead banjo driven by fat, busy 80BPM grooves with a bit of a reggae and shuffle feel. Also: synth choir voices, dulcimer, violin, cello, shimmering pads. Builds up gradually to nice and rocking and then gets taken back down for the big comedown chill. I really don't know what sort of genre this is except 'far out'. I think it sounds more like a live band than one guy playing instruments and manipulating a DAW. Not my best track but a bit of blissful, sunny island fun. Real positive vibe here so I hope you give it a chance to unfold and unfurl. Sit back, clear your schedule and immerse yourself in these trippy sonic experiments cooked up deep in my off-planet underground laboratory. I have to send the MP3 to Earth via space courier (not cheap).
Description : This is the 2nd cover of Big Audio Dynamite i done With my freind John. We both fan of the band so we decided to do a challenge and produce a serie of covers. we done 4 in one month. each track got it proper video check my youtube channel indiegroundvid
Description : In the 1700's the Comanche Indians became known as the Lords of the Southern Plains. The Comanche ruled a region that stretched across New Mexico, Kansas, Oklahoma, Colorado and deep into the Texas Panhandle. The most feared and savage warriors of all the tribes of the old West.
Many believe their spirits still ride the night wind here.
Some Willie G style picking to a buffalo skin drum beat.
vig
Rock on dude!
Wayne
Absolutely loved the hook, got the same vibes as other posters. Also heard a bit of Lou Reed and Rick Ocasek in your vocals and for some reason I kept wanting to shout the Runaways hook "Che-che-che-Cherry Bomb!" and howl like on Warren Zevon's "Werewolves of London". Great job. I'm faving this.
In the second listening i paid attention to technical stuff: i think that everything is at the right place. Only thing i argue is about vocals: in some parts seems to be not in tone (but at the same time, this make touchable the feelings of performer). Instrumental are stronger and intense (and is def fine) but vocals are a tad weak. Enhance the brilliance.
92 minutes bowed in front of his majesty.
great work, handshake, Danke
I like lo fi and this delivers.
Cru