Description : Starts slow—but the bridge & chorus v. good. An industrial NIN, UX cyberpunk, glitch 90-20's cross over. Plays more with rhythm than chord progression. End version will have vocals and I'll kill tracks. Looking for feedback what you like and kill :D Be cool and brutal! Cheers
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Comments (6)
If you have time take a listen and give Rapresent2 some feedback.
The sounds are definitely industrial. There are so many different genres mixed into this one. It almost feels rock-ish with a tip of trance twinkled on top. You called it Cyberpunk glitch; if this is what that genre sounds like, I may need to dig deeper. Great work.
nice track bro, i like industrial sounds im a streetdancer. nice cyberpunk, the intro was good for me strong rythme as already mentioned good mix and production nice job
Hey - I dont mind the slower start although many people never give a track a chance if it doesnt immediately appeal - the early post intro part of this track very much reminds me of early 'Cure' (no bad thing in my book) and then it gets a little more industrial with some nice cross rhythms happening - I like it and you could certainly build this into a real banger : )
Wow thanks for the feedback. If it's not hurting the ears, it's a win. I hear between tracks for everything I listen to and focus on the groove meat, while the rest becomes the salad, then to another part.
My past was the Cure, Mission, SoM, Nephilim, New Order, NMA and Front 242... but semi pro as Rush, FnM. I generally make complex rhythms as a bassist turned pianist. I hear them all, and it makes sense but not to everyone:D
I like the main body, the arpeggio is good and the rhythm is strong.
Now long intro's... That's sort of a pet peeve of mine. You can definitely have a long intro, but in the first 10 seconds you have to grip the user by the short and curlies and explain why they should stick around. For me you're doing that around 0:15. That's the bit that makes me sit up and pay attention... So for my money, consider to start your track there.
All in all I like it, looking forward to a next version!
You're right about the intro. Once vocals are added, I typically do a Rammstein-like talk-over for the begging with a single word or two. I do this to build the assault of the main verse. The song did originally start where you said :D. I'll take it aboard to start it there if the first part with vocals sucks. Typically I start all my songs in such a way. Here's an example you have to search it on youtube: Som Quatre Potes - cançó protesta igualtat l’accés l’espai públic amb gos - Xarn Ego. There's also Pixapins on the same channel which does the same. The rest of the songs are on hold with the Mastering producer.
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This is purely industrial sounds of machines and tools.
My aim was to make them sound like synths drums guitars and humans. Took me months. The amount of editing and twisting these sounds up down faster slower etc etc to get rythm well I'm sure you can imagine.
Deleted it recently but having just listened to an industrial track someone has put on here I fancy getting back to some serious dirt!
It's been a long time since I've made anything so... Metabolical? It's chaotic, fast and drum driven. Yet to go through mastering. To add a heavy bass or not?
Glad you agreed on the intro!
Michael
My past was the Cure, Mission, SoM, Nephilim, New Order, NMA and Front 242... but semi pro as Rush, FnM. I generally make complex rhythms as a bassist turned pianist. I hear them all, and it makes sense but not to everyone:D
Now long intro's... That's sort of a pet peeve of mine. You can definitely have a long intro, but in the first 10 seconds you have to grip the user by the short and curlies and explain why they should stick around. For me you're doing that around 0:15. That's the bit that makes me sit up and pay attention... So for my money, consider to start your track there.
All in all I like it, looking forward to a next version!