DJNunapitchuk

I started producing in 2012.

I'm constantly trying to improve, but have the disorder of being ultra creative and compulsively do things in different, weird, and often wrong ways. Doing things consistently by the book is a struggle, and I know it shows in my mixes. I hope to become better at funneling the impulse to do new things towards places that won't ruin the entire mix.

Percussion/Drums
Piano
Harmonica

FL Studio Producer Edition with plugins like Sytrus, Harmor, Toxic Biohazard, and I use FLEX a lot these days.

Akai Fire, i61 MIDI keyboard

I just discovered Madalen Duke, and it was love at first listen. I would do unspeakable things for an acapella track of hers, not ashamed to say.

The Who Boxed Set
Global House Culture

The Who, Sinead O'Connor, Die Toten Hosen, Heroes del Silencio, Chemical Brothers, Crystal Method, Beastie Boys, Jethro Tull, Meatbeat Manifesto, Die Antwoord, Fluke, Billy Idol, Headhunters, Joe Walsh, grunge, rave, classical, folk/ethnic/global, tribal, house, trance, dance, dubstep, dnb, rock and metal even baby, old school RAP, 70s R&B, disco, mixes, mashups, remixes

Often, combination of classical acoustic music with abstract electronic elements, but the proportions can vary widely.

I tried to maintain a particular "signature sound" in the beginning, but it's been healthy for my growth to just go where inspiration leads.

Currently and technically homeless, presently unemployed and yet still producing because it keeps me breathing. It'd be nice to make a buck from it, sure, but how do you monetize staying alive?